Craphound smiled without baring his gums and sipped his lemonade. "Of course I
came, dear lady. I wouldn't miss it for the worlds!" His accent is pretty good,
but when it comes to stock phrases like this, he's got so much polish you'd
think he was reading the news.
The biddie _blushed_ and _giggled_, and I felt faintly sick. I walked off to the
tables, trying not to hurry. I chose my first spot, about halfway down, where
things wouldn't be quite so picked-over. I grabbed an empty box from underneath
and started putting stuff into it: four matched highball glasses with gold
crossed bowling-pins and a line of black around the rim; an Expo '67
wall-hanging that wasn't even a little faded; a shoebox full of late sixties
O-Pee-Chee hockey cards; a worn, wooden-handled steel cleaver that you could
butcher a steer with.
I picked up my box and moved on: a deck of playing cards copyrighted '57, with
the logo for the Royal Canadian Dairy, Bala Ontario printed on the backs; a
fireman's cap with a brass badge so tarnished I couldn't read it; a three-story
wedding-cake trophy for the 1974 Eastern Region Curling Championships. The
cash-register in my mind was ringing, ringing, ringing. God bless the East
Muskoka Volunteer Fire Department Ladies' Auxiliary.
I'd mined that table long enough. I moved to the other end of the hall. Time
was, I'd start at the beginning and turn over each item, build one pile of
maybes and another pile of definites, try to strategise. In time, I came to rely
on instinct and on the fates, to whom I make my obeisances at every opportunity.
Let's hear it for the fates: a genuine collapsible top-hat; a white-tipped
evening cane; a hand-carved cherry-wood walking stick; a beautiful black lace
parasol; a wrought-iron lightning rod with a rooster on top; all of it in an
elephant-leg umbrella-stand. I filled the box, folded it over, and started on
another.
I collided with Craphound. He grinned his natural grin, the one that showed row
on row of wet, slimy gums, tipped with writhing, poisonous suckers. "Gold!
Gold!" he said, and moved along. I turned my head after him, just as he bent
over the cowboy trunk.
I sucked air between my teeth. It was magnificent: a leather-bound miniature
steamer trunk, the leather worked with lariats, Stetson hats, war-bonnets and
six-guns. I moved toward him, and he popped the latch. I caught my breath.
On top, there was a kid's cowboy costume: miniature leather chaps, a tiny
Stetson, a pair of scuffed white-leather cowboy boots with long, worn spurs
affixed to the heels. Craphound moved it reverently to the table and continued
to pull more magic from the trunk's depths: a stack of cardboard-bound Hopalong
Cassidy 78s; a pair of tin six-guns with gunbelt and holsters; a silver star
that said Sheriff; a bundle of Roy Rogers comics tied with twine, in mint
condition; and a leather satchel filled with plastic cowboys and Indians, enough
to re-enact the Alamo.
Public-domain text, read in full here on John Shaqi.
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