Crayon and Character: Truth Made Clear Through Eye and Ear: Or, Ten-Minute Talks with Colored ChalksGriswold, B. J. (Bert Joseph)
Religion
Crayon and Character: Truth Made Clear Through Eye and Ear: Or, Ten-Minute Talks with Colored Chalks
Griswold, B. J. (Bert Joseph)
Chalk-talks; Moral education; Religious education
"Hear the voice of Solomon: 'The drunkard and the glutton shall come
to poverty, and drowsiness shall clothe a man with rags.' 'Wine is a
mocker, strong drink is raging, and whosoever is deceived thereby is
not wise.'
"If Jesus held up to us a cup of cold water as the emblem of purity,
let us never bring dishonor upon one of earth's greatest blessings.
"'Traverse the desert, and then ye can tell
What treasures exist in the cold, deep well;
Sink in despair on the red, parched earth,
And then ye may reckon what water is worth.'"
--ELIZA COOK.
TURN OVER A NEW LEAF
--New Year's Day
--Gladness
The Psalmist Truly Says that "A Merry Heart Maketh a Cheerful
Countenance."
THE LESSON--That the wearing of a gloomy countenance is
unpardonable and that "the smile that won't come off" is the kind that
ought to come on.
Laughter is catching. The following chalk talk will capture an
audience and bring genuine smiles as nothing else, perhaps, in this
book. It has been prepared for that purpose. While it is arranged here
as especially appropriate for the beginning of the new year, it may be
used with varying applications on many other occasions.
~~The Talk.~~
"There is a good deal of consolation in the words of Cowper, who truly
declares that
"'The path of sorrow, and that path alone,
Leads to the land where sorrow is unknown.'
"Nevertheless, most of us ask for as little real sorrow as possible
while we are treading the pathway that leads to eternal peace.
[It is advisable to begin the drawing of Fig. 17 at this point, and
continue the talk as the picture develops. It is suggested that the
eyes be drawn first, then the mouth and nose, and, finally, the outer
portions. It adds to the effect, too, to stop drawing at this point,
allowing the people to study carefully the dull, gloomy expression of
the face. Then, as if to put on the finishing touches, draw the lines
of the forehead. These, of course, are the lines of the nose and mouth
of the reversed face, but the audience will not suspect the 'trick'
until it is revealed.]
[Illustration: Fig. 17]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account