In the Western dramas, human characters drown our attention in the vortex of their passions. Nature occasionally peeps out, but she is almost always a trespasser, who has to offer excuses, or bow apologetically and depart. But in all our dramas which still retain their fame, such as _Mrit-Shakatikâ_, _Shakuntalâ_, _Uttara-Râmacharita_, Nature stands on her own right, proving that she has her great function, to impart the peace of the eternal to human emotions. The fury of passion in two of Shakespeare's youthful poems is exhibited in conspicuous isolation. It is snatched away, naked, from the context of the All; it has not the green earth or the blue sky around it; it is there ready to bring to our view the raging fever which is in man's desires, and not the balm of health and repose which encircles it in the universe. _Ritûsamhâra_ is clearly a work of Kâlidâsa's immaturity. The youthful love-song in it does not reach the sublime reticence which is in _Shakuntalâ_ and _Kumâra-Sambhava_. But the tune of these voluptuous outbreaks is set to the varied harmony of Nature's symphony. The moonbeams of the summer evening, resonant with the flow of fountains, acknowledge it as a part of its own melody. In its rhythm sways the Kadamba forest, glistening in the first cool rain of the season; and the south breezes, carrying the scent of the mango blossoms, temper it with their murmur. In the third canto of _Kumâra-Sambhava_, Madana, the God Eros, enters the forest sanctuary to set free a sudden flood of desire amid the serenity of the ascetics' meditation. But the boisterous outbreak of passion so caused was shown against a background of universal life. The divine love-thrills of Sati and Shiva found their response in the world-wide immensity of youth, in which animals and trees have their life-throbs. Not only its third canto but the whole of the Kumâra-Sambhava poem is painted upon a limitless canvas. It tells of the eternal wedding of love, its wooing and sacrifice, and its fulfilment, for which the gods wait in suspense. Its inner idea is deep and of all time. It answers the one question that humanity asks through all its endeavours: "How is the birth of the hero to be brought about, the brave one who can defy and vanquish the evil demon laying waste heaven's own kingdom?"