I am the boat, you are the sea, and also the boatman. Though you never make the shore, though you let me sink, why should I be foolish and afraid? Is the reaching the shore a greater prize than losing myself with you? If you are only the haven, as they say, then what is the sea? Let it surge and toss me on its waves, I shall be content. I live in you, whatever and however you appear. Save me or kill me as you wish, only never leave me in others' hands. III It is needless to say, before I conclude, that I had neither the training nor the opportunity to study this mendicant religious sect in Bengal from an ethnological standpoint. I was attracted to find out how the living currents of religious movements work in the heart of the people, saving them from degradation imposed by the society of the learned, of the rich, or of the high-born; how the spirit of man, by making use even of its obstacles, reaches fulfilment, led thither, not by the learned authorities in the scriptures, or by the mechanical impulse of the dogma-driven crowd, but by the unsophisticated aspiration of the loving soul. On the inaccessible mountain peaks of theology the snows of creed remain eternally rigid, cold, and pure. But God's manifest shower falls direct on the plain of humble hearts, flowing there in various channels, even getting mixed with some mud in its course, as it is soaked into the underground currents, invisible, but ever-moving. I can think of nothing better than to conclude my paper with a poem of Jnândâs, in which the aspiration of all simple spirits has found a devout expression: I had travelled all day and was tired; then I bowed my head towards thy kingly court still far away. The night deepened, a longing burned in my heart. Whatever the words I sang, pain cried through them—for even my songs thirsted— O my Lover, my Beloved, my Best in all the world. When time seemed lost in darkness, thy hand dropped its sceptre to take up the lute and strike the uttermost chords; And my heart sang out, O my Lover, my Beloved, my Best in all the world. Ah, who is this whose arms enfold me? Whatever I have to leave, let me leave; and whatever I have to bear, let me bear. Only let me walk with thee, O my Lover, my Beloved, my Best in all the world. Descend at whiles from thy high audience hall, come down amid joys and sorrows. Hide in all forms and delights, in love, And in my heart sing thy songs,— O my Lover, my Beloved, my Best in all the world. EAST AND WEST I