Martyanoff would have broken his bones, had not Kuvalda interrupted
with:
"Leave him alone.... Is this a home to you or even to us? You have no
sufficient reason to break his teeth for him. You have no better
reason than he for living with us."
"Well, then, Devil take him! ... We all live in the world without
sufficient reason.... We live, and why? Because! He also because ...
let him alone...."
"But it is better for you, young man, to go away from us," the teacher
advised him, looking him up and down with his sad eyes. He made no
answer, but remained. And they soon became accustomed to his presence,
and ceased to take any notice of him. But he lived among them, and
observed everything.
The above were the chief members of the Captain's company, and he
called them with kind-hearted sarcasm "Creatures that once were men."
For though there were men who had experienced as much of the bitter
irony of fate as these men, yet they were not fallen so low. Not
infrequently, respectable men belonging to the cultured classes are
inferior to those belonging to the peasantry, and it is always a fact
that the depraved man from the city is immeasurably worse than the
depraved man from the village. This fact was strikingly illustrated by
the contrast between the formerly well-educated men and the mujiks who
were living in Kuvalda's shelter.
The representative of the latter class was an old mujik called Tyapa.
Tall and angular, he kept his head in such a position that his chin
touched his breast. He was the Captain's first lodger, and it was said
of him that he had a great deal of money hidden somewhere, and for its
sake had nearly had his throat cut some two years ago: ever since then
he carried his head thus. Over his eyes hung greyish eyebrows, and,
looked at in profile, only his crooked nose was to be seen. His shadow
reminded one of a poker. He denied that he had money, and said that
they "only tried to cut his throat out of malice," and from that day he
took to collecting rags, and that is why his head was always bent as if
incessantly looking on the ground. When he went about shaking his
head, and minus a walking-stick in his hand, and a bag on his back--the
signs of his profession--he seemed to be thinking almost to madness,
and, at such times, Kuvalda spoke thus, pointing to him with his finger:
"Look, there is the conscience of Merchant Judas Petunikoff. See how
disorderly, dirty, and low is the escaped conscience."
Public-domain text, read in full here on John Shaqi.
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