It is impossible to prophesy in what direction the taste of the future may wander as regards the shape of cinerary vessels, but there can be no doubt whatever that in many instances they will assume a distinctly ecclesiastical character. The classic patterns of vases and urns would be in excellent keeping with the architecture of churches built after Greek and Roman models; whilst they might appear otherwise if exposed to view in the niches of the walls of a Gothic fane. But it may fairly be predicted that the architectural style of the church will have to bow to the varying tastes of the worshippers, and just as we see in Westminster Abbey--that beautiful example of the Early Pointed style--the utmost diversity of taste in the monuments which cluster upon its walls, so the walls and vaults of our churches must necessarily accommodate every type of fancy whenever cremation resumes its sway. Cinerary vessels, in accordance with revived mediæval taste, will probably predominate. Some, it may be, will even assume the shapes of ancient reliquaries.[213] There is no reason why these vessels should not vary, in material and design, with the taste or means of the relatives. Glass, precious metals, and even gems, might with propriety be introduced. Urns of gold and silver were not uncommon in ancient times, and are even yet used in Siam. [213] My friend Mr. Clarke has very kindly sketched, in elucidation of this view, the vessels shown in the family mausoleum sketched in Plate V. With reference to the material of which cinerary urns were formerly made, pottery was chiefly chosen on account of the facility of manufacture, but they were frequently constructed of marble, alabaster, and glass. Perhaps the most beautiful cinerary urn in the world was the Barberini or Portland vase, now in the British Museum, and which contained the ashes of the Emperor Alexander Severus. It was made of blue glass upon which a coating of white glass was overlaid, and the latter cut cameo fashion into a number of emblematical figures. Glass was frequently adopted in Italy for cinerary urns, and will probably be the favourite material once more. Besides the placing of the ashes of the dead in urns, use was frequently made of small stone sarcophagi, and these latter are found in several of the ancient Greek burial-grounds in Anatolia. This will possibly be the form adopted in the future, should an interment of the ashes be chosen in preference to their ennichement. But this is not to say that urns are not equally suitable for laying in the earth if constructed with that view. Probably both forms of containing vessels will be patronised, just as was the case in olden times. In ancient Dardanus stone sarcophagi are commonly found, whilst at Batak, nearer the supposed site of Troy, urns only were discoverable; and yet the ornaments upon the smaller articles of pottery, found in both sarcophagi and urns, were identical in pattern, as far as I can recollect.[214]