Crestlands: A Centennial Story of Cane RidgeBayne, Mary Addams
History
Crestlands: A Centennial Story of Cane Ridge
Bayne, Mary Addams
Kentucky -- History -- 19th century -- Fiction
Presently the family and their guest were seated at the supper table
bedecked in all the splendor of the "boughten cloth" and "blue chaney"
dishes, and loaded with corn dodgers, roasted potatoes, bacon, hominy,
pickled cabbage leaves and honey. Just as the others were taking their
places, Henry Rogers entered, and, after bashfully greeting the
stranger, took his place at the table. He was a tall, raw-boned,
sandy-haired lad of seventeen, with stooping shoulders, slouching
figure, big feet and toilworn hands. His large-featured, freckled face
was kept from commonplaceness by its frank gray eyes, broad brow, firm
chin and refined mouth.
"Try an' mek out yer suppah, suh," Mrs. Rogers urged as she handed
Dudley a cup of steaming coffee. "I'm feared thar ain't much fittin' to
eat. Ef we'd knowed in time, we might hev killed a shoat."
"Try some o' this middlin'," chimed in Rogers on the other side,
passing the dish. "Tilt up the plattah an' git some gravy; it's
better'n the meat. Wish 'twuz time fur 'possum. My mouth fa'rly watahs
fur a taste o' possum meat. 'Tain't jes' a fashionable dish now, I
reckon," he continued, reaching out for a potato; "Susan heah kindah
turns up her nose et 'possum, an' I reckon Mar'm Gilcrest would die
away et the sight uv 'possum meat on her table, but----"
The mention of Mrs. Gilcrest acted as a challenge to Mrs. Rogers. "Jane
Gilcrest's a fine somebody to turn up her nose et 'possum! A purty mess
her table'd be, fur all its silver spoons an' fine chaney, ef she hed
the settin' uv it.--Tommy, don't spill thet gravy on the tablechoth.
I'll send you'n' Buddy to the kitchen ef you can't eat lak white
folks!--She puffs herse'f on bein' a Temple, an' claims they wuz uv the
bluest blood in Virginny. Frum the way she spouts 'bout her
generalgies, her fambly tree must be ez fine an' big ez thet ole elm
down thah by the spring-house; but be thet ez it may, she's a pore limb
offen any fambly tree, with her sheftless ways.--Rache, fotch in some
moah hom'ny.--Gilcrest's got the finest house in these parts, and----"
"Yes," interrupted her husband, "the logs is weathahboa'ded an' the
walls plarstahed, an' thah's big porches with pillahs an' lots o' fine
fixin's 'roun' the cornish. The weathahboa'din' an' shingles an' door
an' windah frames wuz brung frum Pittsburg to Limestone on flatboats,
an' wagoned through frum thah. Sam Carr did the wag'nin'! 'Twuz a big
undahtakin', but he made money on it."
"The furnicher's ez fine ez the house," went on Mrs. Rogers. "Thar is a
boughten cairpit in the parlor, an' mahog'ny sofy an' cheers.--Lucindy,
wipe yer knife on yer bread befoh he'pin' yo'se'f to buttah. Can't I
nevah l'arn you no mannahs?"
"They have a big music-piece with ivory keys, and Miss Abby's teaching
Betsy to play on it," said Susan, forgetting her shyness, and her blue
eyes shining at the recollection of this wonder.
Public-domain text, read in full here on John Shaqi.
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