Crestlands: A Centennial Story of Cane Ridge — John Shaqi
Crestlands: A Centennial Story of Cane RidgeBayne, Mary Addams
History
Crestlands: A Centennial Story of Cane Ridge
Bayne, Mary Addams
Kentucky -- History -- 19th century -- Fiction
"That's Major Gilcrest's niece, come from Virginia to live with them,"
explained Henry, seeing Abner's admiring gaze fixed upon the girl.
"She's as pretty as a rosebush covered with pink blossoms; there ain't
a girl comes to Cane Ridge that can stand alongside her. She makes even
Sally Bledsoe and Molly Trabue look like common hollyhocks."
By this time every one save the group of young people and a few
stragglers out in the shade had entered the church, from which at this
moment a loud voice was heard announcing, "Hymn 642;" while at the same
time Deacon Hiram Gilcrest, standing at one door, and Deacon Bushrod
Hinkson at the other, admonished all loiterers to come in.
As soon as the congregation was seated, Mason Rogers, in a voice of
much power and sweetness, started the hymn already announced. Others
quickly joined in, until soon the building was filled with a swelling
volume of melody which made the walls resound and the cobwebs tremble.
The negro nurse on the doorstep crooned the hymn as she held the
sleeping baby. Uncle Tony, sitting on the steps of the pulpit platform,
swayed his body and nodded his head in rhythmic motion. He could not
carry a tune, but now and then would join in with a single note which
rang out clear and loud above all the rest. Other negroes from their
places in the gallery over the doorways opposite the pulpit, though
they knew not the words of the hymn, added the melody of their
plaintive voices. Little girls seated by their mothers on the woman's
side of the low partition, and little boys by their fathers on the
other side of the church, joined in with piping treble. Deacon
Gilcrest, his stern features relaxed, kept time with his hand (down,
left, right, up) as he thundered forth a ponderous bass. Old Matthew
Houston from one "amen corner" added his quavering notes; while from
the other, Squire Trabue, his chair tilted back, his face beaming, sang
with little regard to time or tune, but with melody in his heart, if
not in his voice. Near the central partition Susan Rogers and Betsy
Gilcrest, happy and bright-eyed, sang from the same book, their voices
clear, true, and sweet as bird notes.
As the music arose in a swelling wave of melody, Abner Dudley looked
through the congregation for the girl in the lavender sarcenet.
Presently he discovered her seated near a window and singing with the
rest. Her veil was thrown back, and from the depths of the scoop
bonnet, with a wreath of roses under its brim, shone forth a face of
radiant loveliness. From her broad, white brow the shining brown hair
was parted in rippling masses; she had darkly fringed blue eyes, a
well-rounded chin, and skin whose tints of rose and pearl were like the
delicate inner surface of a sea shell.
Public-domain text, read in full here on John Shaqi.
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