We get a powerful hint, too, from the pictures, of the varying estimation in which the game has been held at different times. There is a suggestion of reverence in some of the illustrations—a sense that the artist knew himself to be handling a great theme. In others we see with pain that the treatment is almost comic, certainly frivolous. We hardly can suppose that the picture of the ladies’ cricket match would encourage others of the sex to engage in the noble game, although “Miss Wicket” of the famous painting has a rather attractive although pensive air—she has all the aspect of having got out for a duck’s egg. More decidedly to the same effect—of its differing hold on popular favour—do we get a hint from the spectators assembled (but assembled is too big a word for their little number) to view the game. “Lord’s” on an Australian match day, or a Gents _v._ Players, or Oxford and Cambridge, hardly would be recognised by one of the old-time heroes, if we could call him up again across the Styx to take a second innings. He would wonder what all the people had come to look at. He hardly would believe that they were come to see the game he used to play to a very meagre gallery in his life. But he would be pleased to observe the progress of the world—how appreciative it grew of what was best in it as it grew older. Another thing that the collection illustrates is the various changes of site of the headquarters of the game, if it had a headquarters before it settled down to its present place of honour in St. John’s Wood. There is a picture (_vide_ p. v) of “Thomas Lord’s first Cricket Ground, Dorset Square, Marylebone. Match played June 20, 1793, between the Earls of Winchilsea and Darnley for 1000 guineas.” With regard to this interesting picture, Sir Spencer Ponsonby-Fane, in his catalogue of the pictures, drawings, etc., in possession of the Marylebone Cricket Club, has a note as follows:—“This match was Kent (Lord Darnley’s side) _v._ Marylebone, with Walker, Beldham, and Wills (Lord Winchilsea’s side). M.C.C. won by ten wickets. It will be noticed that only two stumps are represented as being used, whereas, according to _Scores and Biographies_, it is known that as far back as 1775 a third stump had been introduced; many representations, however, of the game at a later date show only two stumps.” No doubt at this early period there was no very fully acknowledged central authority, and such little details as these were much a matter of local option. The wicket shown in this picture does not seem to differ at all from the wicket in the picture of “Cricket” by F. Hayman, R.A. (_vide_ p. 1), in the possession of the Marylebone Club, though the date of the latter is as early as 1743. Neither does the bat appear to have made much evolution in the interval. It is on the authority of Sir Spencer Ponsonby-Fane, in the catalogue above quoted, that we can give “about 1750” for the date of the picture named “A Match in Battersea Fields” (_vide_ p.