But in forward strokes, as in all other strokes, the great thing is to watch the ball carefully, for should you be playing forward with “your head in the air,” that is to say, not looking at the ball, which at the last minute does something unexpected, either bumping or hanging on the pitch, you will for a certainty find yourself in trouble; and therefore, until you are thoroughly well set and have got the exact pace of the wicket, there should be a margin for emergencies, so that it should be possible to alter one’s stroke at the last moment. The best way of playing a ball which one has gone forward to, and which one finds one cannot reach far enough to smother at the pitch, is to adopt the “half-cock” stroke. This stroke is made by holding the bat quite straight just over or slightly in front of the popping-crease and letting the ball hit it. It is a most excellent defensive stroke, and the proper way to play a ball whose length one has misjudged. W. G. Grace uses this stroke very frequently, as does F. S. Jackson. In making a forcing forward stroke the great thing is to swing the arms well and carry the stroke right through, which if well timed will send the ball very quickly to the boundary. Some batsmen play this forcing forward stroke so hard that it is difficult to distinguish it from a genuine hit, and I have a very vivid recollection of a grand innings of a hundred odd which A. E. Stoddart played at Lord’s for Middlesex against Kent some five or six years ago. The wicket was hard and fast, and the power with which Mr. Stoddart forced good length balls from W. M. Bradley to the off boundary was astonishing. In offensive forward play great care should be taken not to bend the right knee, for with the bending of the right knee comes the sinking of the right shoulder, and if the shoulder sinks the batsman is very likely to get under the ball. When a batsman who is a strong forward player is thoroughly well set on a hard, true wicket, many of his runs will come from off drives, especially if the bowling be fast or medium paced, and the power one can get into an off drive, if body, wrist, and eye are working together, is almost as great as in the case of a genuine hit. It requires no great physique to be a powerful off driver, for a man of very slight build, if he is timing the ball well—and by timing the ball I mean the harmonious working of body, wrist, and eye—can make the ball travel to the boundary as fast as a strongly and powerfully built man. There are few better moments at cricket than when one has forced a good length ball through the fielders on the off side, standing well balanced where one is, and the ball making haste to the ring. There is a very conscious feeling that brain, eye, body, and hand have all acted in concert, and that a great deal has been accomplished with a minimum of exertion. BACK PLAY