There are three classes of cuts: the forward cut, the square cut, and the late cut. The forward cut is made at a shortish ball outside the off stump, the right foot being kept still, but the left foot brought across in the line of the ball. It is a stroke that requires very accurate timing, but when timed well, the ball often goes to the ring like a flash of lightning, somewhere between point and cover-point. W. L. Murdoch plays this stroke particularly well, as do A. O. Jones, H. K. Foster, and W. Gunn, while C. H. B. Marsham made the great majority of his fine 100 not out in the ‘Varsity match of 1901 by its means. It is a somewhat dangerous stroke, for should the ball hang or bump unexpectedly, an uppish hit will in all probability follow. The square cut sends the ball just behind point, and is made by moving the right foot across the wicket in a line with the off stump; and just as the ball is passing the batsman’s body, the bat is brought down by a quick movement of the arms, while more power is added to the stroke by a sharp flick of the wrists. The bat should be slanting downwards towards the ground, in order to get well over the ball. Tyldesley of Lancashire plays the same cut as well as any one else, though he often hits across the ball rather than over it, a fine stroke, harder than if he had got over the ball, being the result. His method is, however, a little dangerous, as there is a chance of the ball going up, though Tyldesley seems to have brought the stroke to perfection. In the late cut the right foot is moved across to the same position as in the case of the square cut, but the ball is hit _after_ it has passed the batsman’s body. The most suitable ball for the late cut is one pitched wide of the off stump, not quite so short as the ball for the square cut, but still short of a good length. It is essentially a wrist stroke, and a man with a weak wrist will be wise not to attempt it. Late cutting requires a little manœuvring-ground, and care must be taken to avoid cutting at a ball too near the wicket. There are few players who cut late really well, for the stroke requires the greatest nicety in timing and a strong, flexible pair of wrists. Ranjitsinhji makes this stroke with great certainty and brilliancy, but then he possesses an extraordinarily supple pair of wrists.