Critical and Historical Essays: Lectures delivered at Columbia UniversityMacDowell, Edward
History
Critical and Historical Essays: Lectures delivered at Columbia University
MacDowell, Edward
Music -- History and criticism
Produced by David Newman, Daniel Emerson Griffith and the
Online Distributed Proofreading Team at https://www.pgdp.net
TRANSCRIBER'S NOTES
Italic text is represented by _underscores_ around the text.
Footnotes in the original text were all marked with asterisks:
I have renumbered these and represented them as [01] through [15].
All other text enclosed between square brackets represents or
describes the illustrations (for which see the HTML edition):
Pitches: [c, ... c ... a b c' (middle-C) d' e' ... c'' ... c''']
Round brackets: when around a single note these represent a note
in the extract which was bracketed or otherwise highlighted.
When around two or more notes, they represent a slur or beam.
Braces: surround simultaneous notes in a chord {a c' e'}
Accidentals:
[f++] = F double-sharp
[a+] = A sharp
[c=] = C natural
[e-] = E flat
[d--] = D double-flat
In the main text, accidentals are written out in full, as
[natural], A[flat], G[sharp]. One table uses [#] for [sharp].
Accents and marcato: denoted by > and ^ before a note.
Time signatures: [4/4], [6/8], etc.
[C] or [C/4] = C-shaped [4/4] time.
[C|] or [C/2] = C-shaped [2/2] time.
[O] = A circle
[O.] = A circle with a dot in the center
[C.] = A broken circle (C-shaped) with a dot in the center
[G:] = Treble clef ([G8:] = Treble clef 8va bassa)
[F:] = Bass clef ([F8:] = Bass clef 8va bassa)
Rhythms (A trailing . represents a dotted note):
[L] = Longa
[B] = Brevis
[S] = Semibrevis
[1] = Whole-note (Semibreve)
[2] = Half-note (Minim)
[4] = Quarter-note (Crotchet)
[8] = Eighth-note (Quaver)
[16] = Sixteenth-note (Semiquaver)
Lyrics and Labels: words aligned with the notes begin [W: ...]
Breves and macrons, used to denote short and long stresses in
poetry are denoted ['] and [-] respectively.
[|] = Bar (Bar line)
[<] = Crescendo hairpin
[x] = small cross
[\] = 45 degree downstroke
[/] = 45 degree upstroke
[/\] = large circumflex shape
[O|] = a circle bisected by a vertical line protruding both ways
[Gamma] = The Greek capital gamma
[mid-dot] = a dot at the height of a hyphen
[over-dot] = a single dot over the following letter
[Over-slur] = a frown-shaped curved line
[Under-slur] = a smile-shaped curved line (breve)
[reverse-apostrophe] = the mirror image of a closing quote
[Upper Mordent] = an upper mordent: /\/\/ with thick downstrokes
[Crenellation] = horizontals, low, high, low, connected by verticals
[Podium] = [Crenellation] with the third horizontal at half-height
[Step] = horizontal, vertical, horizontal, vertical, ascending
[Turn] = a turn (~)
[Figure 01] = extract available as a MIDI file (figure01.mid).
[Illustration] = all other illustrations.
For example, here's a D minor scale set to words:
[G: d' e' (f' g') a' b-' (c+'' d'')]
[W: One, two, three, four, five, six. ]
And a simple rhythmic example:
[3/4: 4 4 8 8 | 8. 16 2] = [- - ' ' - ' -]
CRITICAL AND HISTORICAL ESSAYS
Public-domain text, read in full here on John Shaqi.
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