Critical and Historical Essays — Volume 1Macaulay, Thomas Babington Macaulay, Baron
History
Critical and Historical Essays — Volume 1
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
“How many men has Macaulay succeeded in reaching, to whom all other
history and criticism is a sealed book, or a book in an unknown tongue!
If he were a sciolist or a wrongheaded fanatic, this would be a serious
evil. But, as he is substantially right in his judgments, brimful of
saying common-sense and generous feeling, and profoundly well read in
his own periods and his favourite literature, Macaulay has conferred
most memorable services on the readers of English throughout the world.
He stands between philosophic historians and the public very much as
journals and periodicals stand between the masses and great libraries.
Macaulay is a glorified journalist and reviewer, who brings the matured
results of scholars to the man in the street in a form that he can
remember and enjoy, when he could not make use of a merely learned book.
He performs the office of the ballad-maker or story-teller in an age
before books were known or were common. And it is largely due to his
influence that the best journals and periodicals of our day are written
in a style so clear, so direct, so resonant.”
And this from Mr. Cotter Morison
“Macaulay did for the historical essay what Haydn did for the sonata,
and Watt for the steam engine; he found it rudimentary and unimportant,
and left it complete and a thing of power.... To take a bright period
or personage of history, to frame it in a firm outline, to conceive it
at once in article-size, and then to fill in this limited canvas
with sparkling anecdote, telling bits of colour, and facts, all fused
together by a real genius for narrative, was the sort of genre-painting
which Macaulay applied to history.... And to this day his essays
remain the best of their class, not only in England, but in Europe....
The best would adorn any literature, and even the less successful have
a picturesque animation, and convey an impression of power that will not
easily be matched. And, again, we need to bear in mind that they were
the productions of a writer immersed in business, written in his
scanty moments of leisure, when most men would have rested or sought
recreation. Macaulay himself was most modest in his estimate of their
value.... It was the public that insisted on their re-issue, and few
would be bold enough to deny that the public was right.”
Public-domain text, read in full here on John Shaqi.
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