Critical and Historical Essays — Volume 2Macaulay, Thomas Babington Macaulay, Baron
History
Critical and Historical Essays — Volume 2
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
The Political Correspondence of Machiavelli, first published in 1767, is
unquestionably genuine, and highly valuable. The unhappy circumstances
in which his country was placed during the greater part of his public
life gave extraordinary encouragement to diplomatic talents. From
the moment that Charles the Eighth descended from the Alps, the whole
character of Italian politics was changed. The governments of the
Peninsula ceased to form an independent system. Drawn from their old
orbit by the attraction of the larger bodies which now approached them,
they became mere satellites of France and Spain. All their disputes,
internal and external, were decided by foreign influence. The
contests of opposite factions were carried on, not as formerly in the
senate-house or in the marketplace, but in the antechambers of Louis
and Ferdinand. Under these circumstances, the prosperity of the Italian
States depended far more on the ability of their foreign agents, than
on the conduct of those who were intrusted with the domestic
administration. The ambassador had to discharge functions far more
delicate than transmitting orders of knighthood, introducing tourists,
or presenting his brethren with the homage of his high consideration. He
was an advocate to whose management the dearest interests of his clients
were intrusted, a spy clothed with an inviolable character. Instead of
consulting, by a reserved manner and ambiguous style, the dignity of
those whom he represented, he was to plunge into all the intrigues of
the Court at which he resided, to discover and flatter every weakness
of the prince, and of the favourite who governed the prince, and of the
lacquey who governed the favourite. He was to compliment the mistress
and bribe the confessor, to panegyrise or supplicate, to laugh or weep,
to accommodate himself to every caprice, to lull every suspicion, to
treasure every hint, to be everything, to observe everything, to endure
everything. High as the art of political intrigue had been carried in
Italy, these were times which required it all.
Public-domain text, read in full here on John Shaqi.
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