Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
Philosophy
Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
As streams meander level with their fount."
We take this to be, on the whole, the worst similitude in the world. In
the first place, no stream meanders, or can possibly meander, level with
its fount. In the next place, if streams did meander level with
their founts, no two motions can be less like each other than that of
meandering level and that of mounting upwards.
We have then an apostrophe to the Deity, couched in terms which, in any
writer who dealt in meanings, we should call profane, but to which we
suppose Mr. Robert Montgomery attaches no idea whatever.
“Yes! pause and think, within one fleeting hour,
How vast a universe obeys Thy power;
Unseen, but felt, Thine interfused control
Works in each atom, and pervades the whole;
Expands the blossom, and erects the tree,
Conducts each vapour, and commands each sea,
Beams in each ray, bids whirlwinds be unfurl’d,
Unrolls the thunder, and upheaves a world!”
No field-preacher surely ever carried his irreverent familiarity so
far as to bid the Supreme Being stop and think on the importance of the
interests which are under his care. The grotesque indecency of such an
address throws into shade the subordinate absurdities of the passage,
the unfurling of whirlwinds, the unrolling of thunder, and the upheaving
of worlds.
Then comes a curious specimen of our poet’s English:
“Yet not alone created realms engage
Thy faultless wisdom, grand, primeval sage!
For all the thronging woes to life allied
Thy mercy tempers, and Thy cares provide."
{204}We should be glad to know what the word “For” means here. If it is
a preposition, it makes nonsense of the words, “Thy mercy tempers.” If
it is an adverb, it makes nonsense of the words, “Thy cares provide.”
These beauties we have taken, almost at random, from the first part of
the poem. The second part is a series of descriptions of various events,
a battle, a murder, an execution, a marriage, a funeral, and so forth.
Mr. Robert Montgomery terminates each of these descriptions by assuring
us that the Deity was present at the battle, murder, execution,
marriage, or funeral in question. And this proposition, which might be
safely predicated of every event that ever happened or ever will happen,
forms the only link which connects these descriptions with the subject
or with each other.
Public-domain text, read in full here on John Shaqi.
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