How the descriptions are executed our readers are probably by this time able to conjecture. The battle is made up of the battles of all ages and nations: “red-mouthed cannons, uproaring to the clouds,” and “hands grasping firm the glittering shield.” The only military operations of which this part of the poem reminds us, are those which reduced the Abbey of Quedlinburgh to submission, the Templar with his cross, the Austrian and Prussian grenadiers in full uniform, and Curtius and Dentatus with their battering-ram. We ought not to pass unnoticed the slain war-horse, who will no more “Roll his red eye, and rally for the fight;" or the slain warrior who, while “lying on his bleeding breast,” contrives to “stare ghastly and grimly on the skies.” As to this last exploit, we can only say, as Dante did on a similar occasion, “Forse per forza gia di’ parlasia Si stravolse lost alenn del tutto: Ma iô nol vidi, nè credo clie sia." {205}The tempest is thus described: “But lo! around the marsh’lling clouds unite, Like thick battalions halting for the fight; The sun sinks back, the tempest spirits sweep Fierce through the air, and flutter on the deep. Till from their caverns rush the maniac blasts, Tear the loose sails, and split the creaking masts, And the lash’d billows, rolling in a train, Rear their white heads, and race along the main!” What, we should like to know, is the difference between the two operations which Mr. Robert Montgomery so accurately distinguishes from each other, the fierce sweeping of the tempest-spirits through the air, and the rushing of the maniac blasts from their caverns? And why does the former operation end exactly when the latter commences? We cannot stop over each of Mr. Robert Montgomery’s descriptions. We have a shipwrecked sailor, who “visions a viewless temple in the air;” a murderer who stands on a heath, “with ashy lips, in cold convulsion spread;” a pious man, to whom, as he lies in bed at night, “The panorama of past life appears, Warms his pure mind, and melts it into tears;" a traveller, who loses his way, owing to the thickness of the “cloud-battalion,” and the want of “heaven-lamps, to beam their holy light.” We have a description of a convicted felon, stolen from that incomparable passage in Crabbe’s Borough, which has made many a rough and cynical reader cry like a child. We can, however, conscientiously declare that persons of the most excitable sensibility may safely venture upon Mr. {206}Robert Montgomery’s version. Then we have the “poor, mindless, pale-faced maniac boy,” who Rolls his vacant eye, To greet the glowing fancies of the sky.”