Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
It would be impossible even to glance at all the causes of the French
Revolution, within the limits to which we must confine ourselves. One
thing is clear. The government, the aristocracy, and the church, were
rewarded after their works. They reaped that which they had sown. They
found the nation such as they had made it. That the people had become
possessed of irresistible power before they had attained the slightest
knowledge of the art of government--that practical questions of vast
moment were left to be solved by men to whom politics had been only
matter of theory--that a legislature was composed of persons who were
scarcely fit to compose a debating society--that the whole nation was
ready to lend an ear to any flatterer who appealed to its cupidity, to
its fears, or to its thirst for vengeance--all this was the effect of
misrule, obstinately continued in defiance of solemn warnings, and of
the visible signs of an approaching retribution. {57}Even while the
monarchy seemed to be in its highest and most palmy state, the causes
of that great destruction had already begun to operate. They may be
distinctly traced even under the reign of Louis the Fourteenth. That
reign is the time to which the Ultra-Royalists refer as the Golden Age
of France. It was in truth one of those periods which shine with an
unnatural and delusive splendour, and which are rapidly followed by
gloom and decay.
Concerning Louis the Fourteenth himself, the world seems at last to
have formed a correct judgment. He was not a great general; he was not
a great statesman; but he was, in one sense of the words, a great king.
Never was there so consummate a master of what our James the First would
have called king-craft,--of all those arts which most advantageously
display the merits of a prince, and most completely hide his defects.
Though his internal administration was bad,--though the military
triumphs which gave splendour to the early part of his reign, were not
achieved by himself,--though his later years were crowded with defeats
and humiliations,--though he was so ignorant that he scarcely understood
the Latin of his mass-book,--though he fell under the control of a
cunning Jesuit, and of a more cunning old woman,--he succeeded in
passing himself off on his people as a being above humanity. And this
is the more extraordinary, because he did not seclude himself from the
public gaze like those Oriental despots, whose faces are never seen, and
whose very names it is a crime to pronounce lightly. It has been said
that no man is a hero to his valet;--and all the world saw as much
of Louis the Fourteenth as his valet could see. Five hundred people
assembled to see him shave and put on his breeches in the morning.
{58}He then kneeled down at the side of his bed, and said his prayer,
while the whole assembly awaited the end in solemn silence,--the
ecclesiastics on their knees and the laymen with their hats before their
faces.
Public-domain text, read in full here on John Shaqi.
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