Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and Index — John Shaqi
Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
Temple appears to have kept up a very active correspondence with his
mistress. His letters are lost, but hers have been preserved; and many
of them appear in these volumes. Mr. Courtenay expresses some doubt
whether his readers will think him justified in inserting so large a
number of these epistles. We only wish that there were twice as many.
Very little indeed of the diplomatic correspondence of that generation
is so well worth reading. There is a vile phrase of which bad historians
are exceedingly fond, “the dignity of history.” One writer is in
possession of some anecdotes which would illustrate most strikingly the
operation of the Mississippi scheme on the manners and morals of the
Parisians. But he suppresses those anecdotes, because they are too low
for the dignity of history. Another is strongly tempted to mention
some facts indicating the horrible state of the prisons of England two
hundred years age. But he hardly thinks that the sufferings of a dozen
felons, pigging together on bare bricks in a hole fifteen feet square,
would form a subject suited to the dignity of history. Another, from
respect for the dignity of history, publishes an account of the reign
of George the Second, without ever mentioning Whitefield’s preaching
in Moorfields. How should a writer, who can talk about senates, and
congresses of sovereigns, and pragmatic sanctions, and ravelines, and
counterscarps, and battles where ten thousand men are killed, and six
thousand men with fifty stand of colours and eighty guns taken, stoop
to the Stock-Exchange, to Newgate, to the theatre, to the tabernacle?
{20}Tragedy has its dignity as well as history; and how much the tragic
art has owed to that dignity any man may judge who will compare the
majestic Alexandrines in which the Seigneur Oreste and Madame Andromaque
utter their complaints, with the chattering of the fool in Lear and of
the nurse in Romeo and Juliet.
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