Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and Index — John Shaqi
Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
Temple, whose great maxim was to defend no party, was not likely to
cling to the falling fortunes of a minister the study of whose life
was to offend all {30}parties. Arlington, whose influence was gradually
rising as that of Clarendon diminished, was the most useful patron to
whom a young adventurer could attach himself. This statesman, without
virtue, wisdom, or strength of mind, had raised himself to greatness
by superficial qualities, and was the mere creature of the time, the
circumstances, and the company. The dignified reserve of manners which
he had acquired during a residence in Spain provoked the ridicule of
those who considered the usages of the French court as the only standard
of good breeding, but served to impress the crowd with a favourable
opinion of his sagacity and gravity. In situations where the solemnity
of the Escurial would have been out of place, he threw it aside without
difficulty, and conversed with great humour and vivacity. While the
multitude were talking of “Bennet’s grave looks,” (1) his mirth made his
presence always welcome in the royal closet. While Buckingham, in the
antechamber, was mimicking the pompous Castilian strut of the Secretary,
for the diversion of Mistress Stuart, this stately Don was ridiculing
Clarendon’s sober counsels to the King within, till his Majesty cried
with laughter, and the Chancellor with vexation. There perhaps never
was a man whose outward demeanour made such different impressions on
different people. Count Hamilton, for example, describes him as a
stupid formalist, who had been made secretary solely on account of his
mysterious and important looks. Clarendon, on the other hand, represents
him as a man whose “best faculty was raillery,” and who was “for his
pleasant and agreeable humour acceptable unto the King.”
(1) “Bennet’s grave looks were a pretence” is a line in one
of the best political poems of that age.
{31}The truth seems to be that, destitute as Bennet was of all the
higher qualifications of a minister, he had a wonderful talent for
becoming, in outward semblance, all things to all men. He had two
aspects, a busy and serious one for the public, whom he wished to awe
into respect, and a gay one for Charles, who thought that the greatest
service which could be rendered to a prince was to amuse him. Yet both
these were masks which he laid aside when they had served their turn.
Long after, when he had retired to his deer park and fish-ponds in
Suffolk, and had no motive to act the part either of the hidalgo or of
the buffoon, Evelyn, who was neither an unpractised nor an undiscerning
judge, conversed much with him, and pronounced him to be a man of
singularly polished manners and of great colloquial powers.
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