Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
An eloquent scholar has said, that ancient literature was the ark in
which all the civilization of the world was preserved during the deluge
of barbarism. We confess it. But we do not read that Noah thought
himself bound to live in the ark after the deluge had subsided. When
our ancestors first began to consider the study of the classics as the
principal part of education, little or nothing worth reading was to be
found in any modern language. Circumstances have confessedly changed. Is
it not possible that a change of system may be desirable?
Our opinion of the Latin tongue will, we fear, be considered heretical.
We cannot but think that its vocabulary is miserably poor, and its
mechanism deficient both in power and precision. The want of a definite
article, and of a distinction between the preterite and the aorist
tenses, are two defects which are alone sufficient to place it below any
other language with which we are acquainted. In its most flourishing
era it was reproached with poverty of expression. Cicero, indeed, was
induced, by his patriotic feelings to deny the charge. But the perpetual
recurrence of Greek words in his most hurried and familiar letters, and
the frequent use which he is compelled to make of them, in spite of all
his exertions to avoid them, in his philosophical works, fully prove
that even this great master of the Latin tongue felt the evil which he
laboured to conceal from others.
We do not think much better of the writers, as a body, than of the
language. The literature of Rome was born old. All the signs of
decrepitude were on it in the cradle. We look in vain for the sweet lisp
and the graceful wildness of an infant dialect. We look in vain for a
single great creative mind,--for a Homer or a Dante, a Shakspeare or a
Cervantes. In their place we have a crowd of fourth-rate and fifth-rate
authors, translators, and imitators without end. The rich heritage of
Grecian philosophy and poetry was fatal {348}to the Romans. They would
have acquired more wealth, if they had succeeded to less. Instead of
accumulating fresh intellectual treasures, they contented themselves
with enjoying, disposing in new forms, or impairing by an injudicious
management, those which they took by descent. Hence, in most of their
works, there is scarcely any thing spontaneous and racy, scarcely any
originality in the thoughts, scarcely any idiom in the style. Their
poetry tastes of the hot-house. It is transplanted from Greece, with
the earth of Pindus clinging round its roots. It is nursed in careful
seclusion from the Italian air. The gardeners are often skilful; but the
fruit is almost always sickly. One hardy and prickly shrub, of genuine
Latin growth, must indeed be excepted. Satire was the only indigenous
produce of Roman talent; and, in our judgment, by far the best.
Public-domain text, read in full here on John Shaqi.
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