Bute, who had always been considered as a man of taste and reading, affected, from the moment of his elevation, the character of a Mæcenas. If he expected to conciliate the public by encouraging literature and art, he was grievously mistaken. Indeed, none of the objects of his munificence, with the single exception of Johnson, can be said to have been well selected; and the public, not unnaturally, ascribed the selection of Johnson rather to the Doctor’s political prejudices than to his literary merits: for a wretched scribbler named Shebbeare, who had nothing in common with Johnson except violent Jacobitism, and who had stood in the pillory for a libel on the Revolution, was honoured with a mark of royal approbation, similar to that which was bestowed on the author of the English Dictionary, and of the Vanity of Human Wishes. It {41}was remarked that Adam, a Scotchman, was the court architect, and that Ramsay, a Scotchman, was the court painter, and was preferred to Reynolds. Mallet, a Scotchman, of no high literary fame, and of infamous character, partook largely of the liberality of the government. John Home, a Scotchman, was rewarded for the tragedy of Douglas, both with a pension and with a sinecure place. But, when the author of the Bard, and of the Elegy in a Country Churchyard, ventured to ask for a Professorship, the emoluments of which he much needed, and for the duties of which he was, in many respects, better qualified than any man living, he was refused; and the post was bestowed on the pedagogue under whose care the favourite’s son-in-law, Sir James Lowther, had made such signal proficiency in the graces and in the humane virtues.