Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
This vaunting was premature. The real strength of the favourite was
by no means proportioned to the number of votes which he had, on
one particular division, been able to command. He was soon again in
difficulties. The most important part of his budget was a tax on cider.
This measure was opposed, not only by those who were generally hostile
to his administration, but also by many of his supporters. The name of
excise had always been hateful to the Tories. One of the chief crimes of
Walpole in their eyes, had been his partiality for this mode of raising
money. The Tory Johnson had in his Dictionary given so scurrilous a
definition of the word Excise, that the Commissioners of Excise had
seriously thought of prosecuting him. The counties which the new impost
particularly affected had always been Tory counties. It was the boast of
John Philips, the poet of the English vintage, that the Cider-land had
ever been faithful to the throne, and that all the pruning-hooks of her
thousand orchards had been beaten into swords for the service of the
ill fated Stuarts. The effect of Bute’s fiscal scheme was to produce an
union between the gentry and yeomanry of the Cider-land and the Whigs of
the capital. Herefordshire and Worcestershire were in a flame. The city
of London, though not so directly interested, was, if possible, still
more excited. The debates on this question irreparably damaged the
government. Dashwood’s financial statement {51}had been confused and
absurd beyond belief, and had been received by the House with roars of
laughter. He had sense enough to be conscious of his unfitness for the
high situation which he held, and exclaimed in a comical fit of despair,
“What shall I do? The boys will point at me in the street, and cry,
‘There goes the worst Chancellor of the Exchequer that ever was.’”
George Grenville came to the rescue, and spoke strongly on his favourite
theme, the profusion with which the late war had been carried on. That
profusion, he said, had made taxes necessary. He called on the gentlemen
opposite to him to say where they would have a tax laid, and dwelt
on this topic with his usual prolixity. “Let them tell me where,” he
repeated in a monotonous and somewhat fretful tone. “I say, sir, let
them tell me where. I repeat it, sir; I am entitled to say to them,
Tell me where.” Unluckily for him, Pitt had come down to the House that
night, and had been bitterly provoked by the reflections thrown on
the war. He revenged himself by murmuring, in a whine resembling
Grenville’s, a line of a well known song, “Gentle Shepherd, tell me
where.”
“If,” cried Grenville, “gentlemen are to be treated in this way----”
Pitt, as was his fashion, when he meant to mark extreme contempt, rose
deliberately, made his bow, and walked out of the House, leaving
his brother-in-law in convulsions of rage, and every body else in
convulsions of laughter. It was long before Grenville lost the nickname
of the Gentle Shepherd.
Public-domain text, read in full here on John Shaqi.
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