Critical Miscellanies, Vol. 1, Essay 2: CarlyleMorley, John
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Critical Miscellanies, Vol. 1, Essay 2: Carlyle
Morley, John
Carlyle, Thomas, 1795-1881
Two conspicuous qualities of Carlylean doctrine flow from this fatalism,
or poetised utilitarianism, or illumined positivity. One of them is a
tolerably constant contempt for excessive nicety in moral distinctions,
and an aversion to the monotonous attitude of praise and blame. In a
country overrun and corroded to the heart, as Great Britain is, with
cant and a foul mechanical hypocrisy, this temper ought to have had its
uses in giving a much-needed robustness to public judgment. One might
suppose, from the tone of opinion among us, not only that the difference
between right and wrong marks the most important aspect of conduct,
which would be true; but that it marks the only aspect of it that
exists, or that is worth considering, which is most profoundly false.
Nowhere has Puritanism done us more harm than in thus leading us to take
all breadth, and colour, and diversity, and fine discrimination, out of
our judgments of men, reducing them to thin, narrow, and superficial
pronouncements upon the letter of their morality, or the precise
conformity of their opinions to accepted standards of truth, religious
or other. Among other evils which it has inflicted, this inability to
conceive of conduct except as either right or wrong, and,
correspondingly in the intellectual order, of teaching except as either
true or false, is at the bottom of that fatal spirit of _parti-pris_
which has led to the rooting of so much injustice, disorder, immobility,
and darkness in English intelligence. No excess of morality, we may be
sure, has followed this excessive adoption of the exclusively moral
standard. '_Quand il n'y a plus de principes dans le coeur_,' says De
Senancourt, '_on est bien scrupuleux sur les apparences publiques et sur
les devoirs d'opinion_.' We have simply got for our pains a most
unlovely leanness of judgment, and ever since the days when this temper
set in until now, when a wholesome rebellion is afoot, it has steadily
and powerfully tended to straiten character, to make action mechanical,
and to impoverish art. As if there were nothing admirable in a man save
unbroken obedience to the letter of the moral law, and that letter read
in our own casual and local interpretation; and as if we had no
faculties of sympathy, no sense for the beauty of character, no feeling
for broad force and full-pulsing vitality.
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