Critical Miscellanies, Vol. 1, Essay 3: Byron — John Shaqi
Critical Miscellanies, Vol. 1, Essay 3: ByronMorley, John
General
Critical Miscellanies, Vol. 1, Essay 3: Byron
Morley, John
Byron, George Gordon Byron, Baron, 1788-1824
them nor they to him, and is not frightened by the past from a firm and
lofty respect for present dignity and worth. It is a good thing thus to
overthrow the tyranny of the memory, and to cast out the body of our
dead selves. That Byron never attained this good, though he was not
unlikely to have done so if he had lived longer, does not prove that he
was too gross to feel its need, but it explains a moral weakness which
has left a strange and touching mark on some of his later works.
So in the intellectual order, he knew too much in one sense, and in
another too little. The strong man is not conscious of gaps and
cataclysms in the structure of his belief, or else he would in so far
instantly cease to be strong. One living, as Byron emphatically did, in
the truly modern atmosphere, was bound by all the conditions of the
atmosphere to have mastered what we may call the natural history of his
own ideas and convictions; to know something of their position towards
fact and outer circumstance and possibility; above all to have some
trusty standard for testing their value, and assuring himself that they
do really cover the field which he takes them to cover. People with a
faith and people living in frenzy are equally under this law; but they
take the completeness and coherency of their doctrine for granted. Byron
was not the prey of habitual frenzy, and he was without a faith. That is
to say, he had no firm basis for his conceptions, and he was aware that
he had none. The same unrest which drove men of that epoch to Nature,
haunted them to the end, because they had no systematic conception of
her working and of human relations with her. In a word, there was no
science. Byron was a warm admirer of the genius and art of Goethe, yet
he never found out the central secret of Goethe's greatness, his
luminous and coherent positivity. This is the crowning glory of the
modern spirit, and it was the lack of this which went so far to
neutralise Byron's hold of the other chief characteristics of that
spirit, its freedom and spaciousness, its humaneness and wide
sociality, its versatility and many-sidedness and passionate feeling for
the great natural forces.
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