Critical Miscellanies (Vol. 2 of 3), Essay 2: TurgotMorley, John
Philosophy
Critical Miscellanies (Vol. 2 of 3), Essay 2: Turgot
Morley, John
Turgot, Anne-Robert-Jacques, baron de l'Aulne, 1727-1781
Alas, the history of opinion is, in one of its most extensive branches,
the history of error. The senses are the single source of our ideas, and
furnish its models to the imagination. Hence that nearly incorrigible
disposition to judge what we are ignorant of by what we know; hence
those deceptive analogies to which the primitive rudeness of men
surrenders itself. '_As they watched nature, as their eyes wandered to
the surface of a profound ocean, instead of the far-off bed hidden under
the waters, they saw nothing but their own likeness._ Every object in
nature had its god, and this god formed after the pattern of men, had
men's attributes and men's vices.'[41] Here, in anthropomorphism, or the
transfer of human quality to things not human, and the invention of
spiritual existences to be the recipients of this quality, Turgot justly
touched the root of most of the wrong thinking that has been as a
manacle to science.
[Footnote 41: P. 601.]
His admiration for those epochs in which new truths were most
successfully discovered, and old fallacies most signally routed, did not
prevent Turgot from appreciating the ages of criticism and their
services to knowledge. He does full justice to Alexandria, not only for
its astronomy and geometry, but for that peculiar studiousness 'which
exercises itself less on things than on books; whose strength lies less
in producing and discovering, than in collecting and comparing and
estimating what has been produced and discovered; which does not press
forward, but gazes backward along the road that has already been
traversed. The studies that require most genius, are not always those
which imply most progress in the mass of men. There are minds to which
nature has given a memory capable of comparing truths, of suggesting an
arrangement that places these truths in the fullest light; but to which,
at the same time, she has refused that ardour of genius which insists on
inventing and opening out for itself new lines of discovery. Made to
unite former discoveries under a single point of view, to surround them
with light, and to exhibit them in entire perfection, if they are not
luminaries that burn and sparkle of themselves, at least they are like
diamonds that reflect with dazzling brilliance a borrowed light.'
Public-domain text, read in full here on John Shaqi.
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