Critical Miscellanies (Vol. 3 of 3), Essay 1: On Popular CultureMorley, John
History
Critical Miscellanies (Vol. 3 of 3), Essay 1: On Popular Culture
Morley, John
Literature -- History and criticism
Well, there is something nearly as absurd, if not quite, in our common
plan of taking for granted that people should begin their reading of
history, not in 1776, but in 1066. As if this could bring into our
minds what is after all the greatest lesson of history, namely, the
fact of its oneness; of the interdependence of all the elements that
have in the course of long ages made the European of to-day what we
see him to be. It is no doubt necessary for clear and definite
comprehension to isolate your phenomenon, and to follow the stream of
our own history separately. But that cannot be enough. We must also
see that this stream is the effluent of a far broader and mightier
flood--whose springs and sources and great tributaries lay higher up
in the history of mankind.
'We are learning,' says Mr. Freeman, whose little book on the _Unity
of History_ I cannot be wrong in warmly recommending even to the
busiest among you, 'that European history, from its first glimmerings
to our own day, is one unbroken drama, no part of which can be rightly
understood without reference to the other parts which come before and
after it. We are learning that of this great drama Rome is the centre,
the point to which all roads lead and from which all roads lead no
less. The world of independent Greece stands on one side of it; the
world of modern Europe stands on another. But the history alike of the
great centre itself, and of its satellites on either side, can never
be fully grasped except from a point of view wide enough to take in
the whole group, and to mark the relations of each of its members to
the centre and to one another.'
Public-domain text, read in full here on John Shaqi.
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