Critical Miscellanies (Vol. 3 of 3), Essay 4: The Life of George EliotMorley, John
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Critical Miscellanies (Vol. 3 of 3), Essay 4: The Life of George Eliot
Morley, John
Eliot, George, 1819-1880; Novelists, English -- 19th century -- Biography
To many, the relation which was the most important event in George
Eliot's life will seem one of those irretrievable errors which reduce
all talk of duty to a mockery. It is inevitable that this should be so,
and those who disregard a social law have little right to complain. Men
and women whom in every other respect it would be monstrous to call bad,
have taken this particular law into their own hands before now, and
committed themselves to conduct of which 'magnanimity owes no account to
prudence.' But if they had sense and knew what they were about, they
have braced themselves to endure the disapproval of a majority
fortunately more prudential than themselves. The world is busy, and its
instruments are clumsy. It cannot know all the facts; it has neither
time nor material for unravelling all the complexities of motive, or for
distinguishing mere libertinage from grave and deliberate moral
misjudgment; it is protecting itself as much as it is condemning the
offenders. On all this, then, we need have neither sophistry nor cant.
But those who seek something deeper than a verdict for the honest
working purpose of leaving cards and inviting to dinner, may feel, as
has been observed by a contemporary writer, that men and women are more
fairly judged, if judge them we must, by the way in which they bear the
burden of an error than by the decision that laid the burden on their
lives. Some idea of this kind was in her own mind when she wrote to her
most intimate friend in 1857, 'If I live five years longer, the positive
result of my existence on the side of truth and goodness will outweigh
the small negative good that would have consisted in my not doing
anything to shock others' (i. 461). This urgent desire to balance the
moral account may have had something to do with that laborious sense of
responsibility which weighed so heavily on her soul, and had so
equivocal an effect upon her art. Whatever else is to be said of this
particular union, nobody can deny that the picture on which it left a
mark was an exhibition of extraordinary self-denial, energy, and
persistency in the cultivation and the use of great gifts and powers for
what their possessor believed to be the highest objects for society and
mankind.
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