Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754)
Philosophy
Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754)
Richardson, Samuel, 1689-1761
Boobies ought to be treated, and a proper catastrophe for
all such preposterous matches.
Your three Heroines are, Pamela, Harriet, and Clarissa,
ladies all renowned for chastity and _Bible-scholarship_.
The chastity of the first was from beginning to end never
well attackt, and the defence she made is so far from being
extraordinary, that had she surrendered at discretion, it
ought to have been reckoned miraculous. There is nothing
very characteristic about Harriet, yet is she a good sort of
a girl enough, especially as times go. _The men are sunk,
and the women barely swim_, saith the lively Charlotte
Grandison. But the character of Clarissa is, indeed,
admirable throughout the whole. Nature and propriety are not
only strictly observed, but we see the greatest nobleness of
soul, generosity of sentiments, filial affection, delicacy,
modesty, and every female virtue, finely maintained and
consistently conspicuous all along. The circumstances which
induced her noble and generous spirit to contract a liking
for Lovelace, are finely imagin’d; her delicacy and reserve,
her disgust at his teazing ways, after she was in his power,
are naturally to be expected from a woman of her superior
accomplishments. There is something excessively pathetic, and
even sublime, in her first address to him, after she was
betrayed; her constant refusal of his proffer’d hand, her
resignation to her fate, and her behaviour to her
hard-hearted relations, are all equally noble, and all
natural in a Clarissa. Her character, in short, is such,
that unless one should be hunting for faults, scarce any can
be found; and perhaps it is owing to such a disposition in
me, that I cannot help observing she is rather too good, at
least too methodically so: The division of her time, and her
diary had been better omitted; all such things detract from
the nature and simplicity of a character. The characters of
her family are finely marked and distinguished, and well
adapted for bringing on the catastrophe. There is something
likewise extremely noble and generous in the friendship
between Clarissa and Miss Howe. But I must here observe,
that in this, your capital performance, you seem in a good
measure to have exhausted your invention with respect to
characters. For instance, that _dear flighty creature_ Lady
G. is nothing else but a second edition of _Madam Howe’s
lively daughter_. They are both wits, and have both high
notions of female prerogative, and the pre-eminence of their
own sex over the other; they had both like to have run away
with too worthless fellows, and both afterwards treated two
honest well-meaning men, during the time of their courtship,
like dogs; and both, I imagine, for all these reasons, will
be great favourites with the female part of your readers.
Pollexfen and his crew very much resemble Lovelace and his
Beelzebubs; and Grandmamma Shirley is nothing else but a
_second mamma_ Horton; as Lord Goosecap is another Hickman.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account