Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754) — John Shaqi
Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754)
Philosophy
Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754)
Richardson, Samuel, 1689-1761
from the state; he supposes that his city is built in an
inland country, at a distance from the Ocean or Sea-ports.
I shall not pretend to justify Plato in all his whims; but
it is certain, that if such an establishment were
practicable, every public and private virtue would have a
better chance to flourish there, than in any other State,
where different principles prevail. From these circumstances
it is manifest, that if we could suppose a Platonic citizen,
entirely unacquainted with what passes in the world, beyond
the verges of his own republic, he would imagine, if such a
book as Clarissa was recommended to his perusal, that the
characters described in it were monsters, not men, and
existed no where, except in the depraved fancy of its
author.
Here, Sir, I put a period to my general remarks on your
compositions; I cannot say they are thrown altogether into a
regular order, but they may do well enough in a loose essay,
as this is intended to be. It would require a bulky volume
to contain remarks on all the passages which deserve it,
whether it were to point out innumerable faults, or some few
shining beauties. I am not equal to the task, and, though I
were, should not undertake it. Had you wrote nothing else,
Pamela would have been consigned, long before now, to utter
neglect and oblivion. Such soon will be the fate of
Grandison, admired and sought after as it is at present.
People must some time or other tire of conning over such
quantities of flimzy stuff. I wonder at their present
patience and perseverance, and can never sufficiently admire
the contexture of that brain which can weave with unwearied
toil such immense webs of idle tittle-tattle, and gossipping
nonsense. Clarissa perhaps deserves a better fate.
_Great are its faults, but glorious is its flame_, may not
improperly be said of it, as has been said of Shakespear’s
Othello.
Public-domain text, read in full here on John Shaqi.
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