Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754)
Philosophy
Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754)
Richardson, Samuel, 1689-1761
Short-lived then as they are, and must be, in their own
nature, it might be thought cruel to hasten them to the
grave, could that be effected by any thing I have in my
power to say, if they did not prevent the success, and
stifle in the birth, works which have a just title to life,
fame and immortality. Human genius is pretty much the same
in all ages and nations, but its exertion, and its
displaying itself to advantage, depend on times, accidents,
and circumstances. There are, no doubt, writers in the
present age, who, did they meet with proper encouragement,
might be capable of producing what would last to posterity,
and be read and admired by them. We have some good poets,
such as the authors of Elfrida, the Church-yard Elegy, and
the Poem on Agriculture; a performance which would have been
highly valued in an Augustan age, and is the best, perhaps
the only Georgic in our language. By the great manner in
which the author has executed the first part of his noble
plan, he has shewn himself sufficiently able for the rest;
but by his not prosecuting it, I imagine he has not met with
the deserved success. This may possibly be imputed to its
coming abroad at an improper time. I remember it was first
advertised just when the Memoirs of Sir Charles Grandison
were appearing by piece-meal. This was a very injudicious
step, for who could be supposed to attend to any thing else,
when the lovely Harriet Byron continued in suspence, when
the fate of Lady Clementina was undetermined, when it was
not yet settled, whether she was to marry Grandison, retire
to a Nunnery, or continue crack-brain’d all her lifetime.
After all, I am well-pleased to see Grandison and Harriet
fairly buckled. And I hope soon to hear, that the ceremony
is performed between the Count de Belvedere and Lady
Clementina. I am afraid there could have been no compleat
happiness in the matrimonial union of the English Gentleman
and the Italian Lady. The marriage state may be aptly enough
compared to two fiddles playing in concert: if the one can
sound no higher than Tweedle-dum, and the other no lower
than Tweedle-dee, there never can be any thing but a
perpetual jarring discord and dissonance betwixt them. In
the same manner the difference in religious sentiments would
have been a great allay in the felicity of that illustrious
couple.
I now proceed, Sir, to the principal business of this
address, which is, to enquire how far your writings have
contributed to promote the causes of religion and virtue,
for which, as you say, and I believe, they were chiefly
intended.
Public-domain text, read in full here on John Shaqi.
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