There is, for example, a habit amongst some editors of seeking the
expression of opinion, on some political or public question, of some
well-known writer; printing this expression of opinion, and, before it
is published, showing the proof to some other writer, so that an article
of contrary views and opinions may be written in readiness for the
following number. Now this seems to me an absolutely disloyal betrayal
of trust. In the first place, the proof of an article is of necessity
entirely dependent on the good faith of the editor. It is an understood
thing, a tacit, unwritten law, that no one except the editor is to see
it until the public does so. It is never considered necessary to
stipulate this. To show it to a third person to obtain a refutation, or
a burlesque, of it before the article is published, seems to me a
distinctly incorrect thing to do; an extremely unfair thing to do. Yet
it is becoming a common practice; and a writer has no redress against
it. It is manifestly not the kind of offence which can be taken into a
tribunal, yet it is a very genuine and very annoying injury, and it is
one against which I think that authors, whose names are of value, should
be protected in some manner.
What redress, moreover, is there for the innumerable thefts from which a
writer suffers during his career? I doubt if we, any of us, know the
extent to which we are robbed by bookmakers, who are not of the turf,
but are quite as unscrupulous as those of the turf.
A few years ago I saw, in the pages of one of the highest class of
London periodicals, a story, contained in one number, which was nothing
more or less than the reproduction of the Derbyshire part of my
well-known novel of _Puck_: the narrative of Ben Dare and his love for
his worthless sister Anice. It was far more than a plagiarism; it was a
monstrous theft. The name of a lady was put at the end of it, as that of
the author; of course, I wrote to the editor, expecting, despite
previous experiences, to receive apology and reparation. I misunderstood
my generation. The editor wrote back, with airy indifference, that the
lady who had produced this shameless piracy had never read _Puck_. To
my citation, in reply, of the words of the Emperor Julian, 'If it be
sufficient to deny, who will ever be found guilty?' and to my objection
that an appropriation of an entire section of a novel could not by any
possibility be otherwise than an intentional theft, this model of
editors replied not at all. I ought, perhaps, to have sued the
publisher, who was doubtless quite innocent, but had I done so it is
more than probable that I should have obtained no apology or redress. To
begin a law suit is a very serious thing, and all these grievances and
piracies are so incessant, though few are quite as impudent as was this,
that if one pursued them as they merit one would spend all one's life
and substance in Courts of Law.
Public-domain text, read in full here on John Shaqi.
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