beautiful; old wells, old fountains, old shrines, beautiful fragments of sculpture and fresco, solemn convent walls, graceful church spires and monastic belfries, parapets, arches, doorways, spiral staircases winding up to hand-forged iron balconies, lamps of metal-work fine as lace-work, all these in innumerable numbers have been effaced, pulled down, built over, or sold; and, above all, there have been destroyed those lovely quiet green places, called each _il Campo_ or _il Campiello_ (the field or the little field), where, of old, the Venetians fed their sheep, stretches of grass enclosed by old houses, old convents, old towers, old quays, old bridges, with always a sculptured well in the centre of each, and the splash of oars near at hand.' These have nearly all had a similar fate to that of the beautiful house in the Campo di S. Margherita, which Molmenti especially laments, of which the Venetian colouring, the carven galleries, the climbing vines, the bronze railing, the falling water with its spouting jets, have all disappeared, to give place to a yellow, plastered modern building, while its basso-relievo of the Virgin, so long dear to all artists, has been sold to a picture dealer. 'One must be blind indeed,' writes Molmenti, 'not to see the horrible misgovernment of Venice in this latter half of the century, and persons still young can remember a Venice poetic, picturesque, filled with fascination and mysterious charm, now destroyed for no other reason than a senseless and brutal craze for novelty.' What language can strongly enough denounce such wicked and insensate acts? He quotes the well-known lines of Philippe de Commines as to the 'most triumphant city' that he had ever seen, 'the most beautiful street' (the Canal Grande) 'that there could be found in all the world'; and he adds, 'the stranger who comes now into this street only finds himself in a vast alley of shopkeepers.' The Canalezzo is now, indeed, as he says, little more than a huge bazaar of tradesmen and dealers in curios, in which hundreds of advertisements, in many-coloured posters, announce the wares which are now for sale within the ancient palaces. The syndicate of foreign traders, now being established in Venice, will achieve its degradation.