A few days later, after Sedan, Jean sees the Germans enter Versailles.
'"Here they are!"
'It is the octroi-guards who cry out this as they come flying
from the gates across the town. They brush me roughly as they
pass, and their abject terror gains on me.
'I follow them. But as I run I see on the other side of the
boulevard five or six inquisitive persons, who have stopped in
their walk, and hide themselves behind the trees. If they stay
to see, why may not I? I, too, get behind the stem of a tree,
and I watch with staring eyes to see what will happen. On the
road, fifty yards from the gates, a dozen horsemen are coming
onward at a walk. They stop a moment before the
octroi-officers; then they come on into the town in two lines,
almost touching the pavement.
'"The Uhlans!" says someone behind me. Ah, I think with a
thrill, these are the Uhlans!
'They draw near us; their pistols are cocked. They pass me
close, and I feel that I shall fall from fright; my nails
clutch the bark of the tree which screens me. These riders are
covered with blood. There is blood on the pennons of their
lances, on the hocks of their horses, on the rents in their
torn uniforms, and one of the foremost has a white linen band
stained with red on his forehead. Ah! it is hideous! I want to
run away--I want to run away; it is impossible. Before me there
are these Germans, riding slowly, searching with piercing
glances the streets which open out to the left and to the
right. Behind them comes on a dense dark mass. One can hear the
tramp of feet. One can distinguish the spikes of helmets, the
barrels of muskets, the little drums no bigger than
tambourines, and the fifes which are playing a march. These
drummers and pipers are followed by linesmen in dark blue, shod
with boots drawn up above their trousers, the musket held
straight on the shoulder, the cloak rolled.
'And these men, grey with dust and mud, black with powder, with
their coats in rags--these men, who fought no doubt this
morning, and who have just made a forced march--preserve the
most marvellous exactitude, the most perfect regularity in the
dressing of their ranks, and the rhythm of their steps keeps
measure from the first line to the last of the whole column.
Public-domain text, read in full here on John Shaqi.
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