Then, are we critics of no use in the world? I should not like to think that, though I am not quite ready to define our use. More than one sober thinker is inclining at present to suspect that aesthetically or specifically we are of no use, and that we are only useful historically; that we may register laws, but not enact them. I am not quite prepared to admit that aesthetic criticism is useless, though in view of its futility in any given instance it is hard to deny that it is so. It certainly seems as useless against a book that strikes the popular fancy, and prospers on in spite of condemnation by the best critics, as it is against a book which does not generally please, and which no critical favor can make acceptable. This is so common a phenomenon that I wonder it has never hitherto suggested to criticism that its point of view was altogether mistaken, and that it was really necessary to judge books not as dead things, but as living things--things which have an influence and a power irrespective of beauty and wisdom, and merely as expressions of actuality in thought and feeling. Perhaps criticism has a cumulative and final effect; perhaps it does some good we do not know of. It apparently does not affect the author directly, but it may reach him through the reader. It may in some cases enlarge or diminish his audience for a while, until he has thoroughly measured and tested his own powers. If criticism is to affect literature at all, it must be through the writers who have newly left the starting-point, and are reasonably uncertain of the race, not with those who have won it again and again in their own way. X. Sometimes it has seemed to me that the crudest expression of any creative art is better than the finest comment upon it. I have sometimes suspected that more thinking, more feeling certainly, goes to the creation of a poor novel than to the production of a brilliant criticism; and if any novel of our time fails to live a hundred years, will any censure of it live? Who can endure to read old reviews? One can hardly read them if they are in praise of one's own books. The author neglected or overlooked need not despair for that reason, if he will reflect that criticism can neither make nor unmake authors; that there have not been greater books since criticism became an art than there were before; that in fact the greatest books seem to have come much earlier.