Criticism: Part 4 from The Works of John Greenleaf Whittier, Volume VIIWhittier, John Greenleaf
History
Criticism: Part 4 from The Works of John Greenleaf Whittier, Volume VII
Whittier, John Greenleaf
Literature -- History and criticism
Looking at the matter from the point of theory only, we should say that a
physician could not be otherwise than melancholy. A merry doctor! Why,
one might as well talk of a laughing death's-head,--the cachinnation of a
monk's _memento mori_. This life of ours is sorrowful enough at its best
estate; the brightest phase of it is "sicklied o'er with the pale cast"
of the future or the past. But it is the special vocation of the doctor
to look only upon the shadow; to turn away from the house of feasting and
go down to that of mourning; to breathe day after day the atmosphere of
wretchedness; to grow familiar with suffering; to look upon humanity
disrobed of its pride and glory, robbed of all its fictitious ornaments,
--weak, helpless, naked,--and undergoing the last fearful metempsychosis
from its erect and godlike image, the living temple of an enshrined
divinity, to the loathsome clod and the inanimate dust. Of what ghastly
secrets of moral and physical disease is he the depositary! There is woe
before him and behind him; he is hand and glove with misery by
prescription,--the ex officio gauger of the ills that flesh is heir to.
He has no home, unless it be at the bedside of the querulous, the
splenetic, the sick, and the dying. He sits down to carve his turkey,
and is summoned off to a post-mortem examination of another sort. All
the diseases which Milton's imagination embodied in the lazar-house dog
his footsteps and pluck at his doorbell. Hurrying from one place to
another at their beck, he knows nothing of the quiet comfort of the
"sleek-headed men who sleep o' nights." His wife, if he has one, has an
undoubted right to advertise him as a deserter of "bed and board." His
ideas of beauty, the imaginations of his brain, and the affections of his
heart are regulated and modified by the irrepressible associations of his
luckless profession. Woman as well as man is to him of the earth,
earthy. He sees incipient disease where the uninitiated see only
delicacy. A smile reminds him of his dental operations; a blushing cheek
of his hectic patients; pensive melancholy is dyspepsia; sentimentalism,
nervousness. Tell him of lovelorn hearts, of the "worm I' the bud," of
the mental impalement upon Cupid's arrow, like that of a giaour upon the
spear of a janizary, and he can only think of lack of exercise, of
tightlacing, and slippers in winter. Sheridan seems to have understood
all this, if we may judge from the lament of his Doctor, in St.
Patrick's Day, over his deceased helpmate. "Poor dear Dolly," says he.
"I shall never see her like again; such an arm for a bandage! veins that
seemed to invite the lancet! Then her skin,--smooth and white as a
gallipot; her mouth as round and not larger than that of a penny vial;
and her teeth,--none of your sturdy fixtures,--ache as they would, it was
only a small pull, and out they came. I believe I have drawn half a
score of her dear pearls. [Weeps.] But what avails her beauty? She has
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