Crittenden: A Kentucky Story of Love and WarFox, John, Jr.
General
Crittenden: A Kentucky Story of Love and War
Fox, John, Jr.
Kentucky -- Fiction; Spanish-American War, 1898 -- Fiction
"Yes, an' I know somewhur else you gwine--you gwine to de war. Oh, I
know; yes, suh. Dere's a white man in town tryin' to git niggers to
'list wid him, an' he's got a nigger sojer what say he's a officer
hisself; yes, mon, a corpril. An' dis nigger's jes a-gwine through town
drawin' niggers right _an'_ left. He talk to me, but I jes laugh at him,
an' say I gwine wid Ole Cap'n ur Young Cap'n, I don't keer which. An'
lemme tell you, Young Capn', ef you ur Ole Cap'n doan lemme go wid you,
I'se gwine wid dat nigger corpril an' dat white man what 'long to a
nigger regiment, an' I know you don't want me to bring no sech disgrace
on de fambly dat way--no, suh. He axe what you de cap'n of," Bob went
on, aiming at two birds with one stone now, "an' I say you de cap'n of
ever'body an' ever'ting dat come 'long--dat's what I say-an' he be cap'n
of you wid all yo' unyform and sich, I say, if you jest come out to de
fahm--yes, mon, dat he will sho."
The boy laughed and Bob reiterated:
"Oh, I'se gwine--I'se gwine wid you--" Then he stopped short. The
turbaned figure of Aunt Keziah loomed from behind the woodpile.
"What dat I heah 'bout you gwine to de wah, nigger, what dat I heah?"
Bob laughed--but it was a laugh of propitiation.
"Law, mammy. I was jes projeckin' wid Young Cap'n."
"Fool nigger, doan know what wah is--doan lemme heah you talk no more
'bout gwine to de wah ur I gwine to w'ar you out wid a hickory--dat's
whut I'll do--now you min'." She turned on Basil then; but Basil had
retreated, and his laugh rang from the darkening yard. She cried after
him:
"An' doan lemme heah you puttin' dis fool nigger up to gittin' hisself
killed by dem Cubians neither; no suh!" She was deadly serious now. "I
done spanked you heap o' times, an' 'tain't so long ago, an' you ain'
too big yit; no, suh." The old woman's wrath was rising higher, and Bob
darted into the barn before she could turn back again to him, and a
moment later darted his head, like a woodpecker, out again to see if she
were gone, and grinned silently after her as she rolled angrily toward
the house, scolding both Bob and Basil to herself loudly.
A song rose from the cowpens just then. Full, clear, and quivering, it
seemed suddenly to still everything else into silence. In a flash, Bob's
grin settled into a look of sullen dejection, and, with his ear cocked
and drinking in the song, and with his eye on the corner of the barn, he
waited. From the cowpens was coming a sturdy negro girl with a bucket of
foaming milk in each hand and a third balanced on her head, singing with
all the strength of her lungs. In a moment she passed the corner.
"Molly--say, Molly."
The song stopped short.
"Say, honey, wait a minute--jes a minute, won't ye?" The milkmaid kept
straight ahead, and Bob's honeyed words soured suddenly.
"Go on, gal, think yo'self mighty fine, don't ye? Nem' min'!"
Molly's nostrils swelled to their full width, and, at the top of her
voice, she began again.
Public-domain text, read in full here on John Shaqi.
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