There was an Italian painter, who obtained the name of _Il Bragatore_, by the superinduction of inexpressibles on the naked Apollos and Bacchuses of his betters. The fame of this worthy remained one and indivisible, till a set of heads, which had been, by a too common mistake of Nature’s journeymen, stuck upon magisterial shoulders, as the Corinthian capitals of “fair round bellies with fat capon lined,” but which Nature herself had intended for the noddles of porcelain mandarins, promulgated simultaneously from the east and the west of London, an order that no plaster-of-Paris Venus should appear in the streets without petticoats. Mr. Crotchet, on reading this order in the evening paper, which, by the postman’s early arrival, was always laid on his breakfast-table, determined to fill his house with Venuses of all sizes and kinds. In pursuance of this resolution, came packages by water-carriage, containing an infinite variety of Venuses. There were the Medicean Venus, and the Bathing Venus; the Uranian Venus, and the Pandemian Venus; the Crouching Venus, and the Sleeping Venus; the Venus rising from the sea, the Venus with the apple of Paris, and the Venus with the armour of Mars. The Reverend Doctor Folliott had been very much astonished at this unexpected display. Disposed, as he was, to hold, that whatever had been in Greece, was right; he was more than doubtful of the propriety of throwing open the classical _adytum_ to the illiterate profane. Whether, in his interior mind, he was at all influenced, either by the consideration that it would be for the credit of his cloth, with some of his vice-suppressing neighbours, to be able to say that he had expostulated; or by curiosity, to try what sort of defence his city-bred friend, who knew the classics only by translations, and whose reason was always a little ahead of his knowledge, would make for his somewhat ostentatious display of liberality in matters of taste; is a question on which the learned may differ: but, after having duly deliberated on two full-sized casts of the Uranian and Pandemian Venus, in niches on each side of the chimney, and on three alabaster figures, in glass cases, on the mantelpiece, he proceeded, peirastically, to open his fire. _The Rev. Dr. Folliott_.—These little alabaster figures on the mantelpiece, Mr. Crotchet, and those large figures in the niches—may I take the liberty to ask you what they are intended to represent? _Mr. Crotchet_.—Venus, sir; nothing more, sir; just Venus. _The Rev. Dr. Folliott_.—May I ask you, sir, why they are there? _Mr. Crotchet_.—To be looked at, sir; just to be looked at: the reasons for most things in a gentleman’s house being in it at all; from the paper on the walls, and the drapery of the curtains, even to the books in the library, of which the most essential part is the appearance of the back.