Authors -- Fiction; England -- Fiction; Philosophy -- Fiction
Mr. Trillo went on with the composition of his opera, and took the
opinions of the young ladies on every step in its progress; occasionally
regaling the company with specimens; and wondering at the blindness of
Mr. Mac Quedy, who could not, or would not, see that an opera in
perfection, being the union of all the beautiful arts—music, painting,
dancing, poetry—exhibiting female beauty in its most attractive aspects,
and in its most becoming costume—was, according to the well-known
precept, _Ingenuas didicisse_, etc., the most efficient instrument of
civilisation, and ought to take precedence of all other pursuits in the
minds of true philanthropists. The Reverend Doctor Folliott, on these
occasions, never failed to say a word or two on Mr. Trillo’s side,
derived from the practice of the Athenians, and from the combination, in
their theatre, of all the beautiful arts, in a degree of perfection
unknown to the modern world.
Leaving Lechlade, they entered the canal that connects the Thames with
the Severn; ascended by many locks; passed by a tunnel, three miles long,
through the bowels of Sapperton Hill; agreed unanimously that the
greatest pleasure derivable from visiting a cavern of any sort was that
of getting out of it; descended by many locks again through the valley of
Stroud into the Severn; continued their navigation into the Ellesmere
canal; moored their pinnaces in the Vale of Llangollen by the aqueduct of
Pontycysyllty; and determined to pass some days in inspecting the
scenery, before commencing their homeward voyage.
The Captain omitted no opportunity of pressing his suit on Lady Clarinda,
but could never draw from her any reply but the same doctrines of worldly
wisdom, delivered in a tone of _badinage_, mixed with a certain kindness
of manner that induced him to hope she was not in earnest.
But the morning after they had anchored under the hills of the
Dee—whether the lady had reflected more seriously than usual, or was
somewhat less in good humour than usual, or the Captain was more pressing
than usual—she said to him: “It must not be, Captain Fitzchrome; ‘the
course of true love never did run smooth:’ my father must keep his
borough, and I must have a town house and a country house, and an opera
box, and a carriage. It is not well for either of us that we should
flirt any longer: ‘I must be cruel only to be kind.’ Be satisfied with
the assurance that you alone, of all men, have ever broken my rest. To
be sure, it was only for about three nights in all; but that is too
much.”
The Captain had _le cœur navré_. He took his portfolio under his arm,
made up the little _valise_ of a pedestrian, and, without saying a word
to anyone, wandered off at random among the mountains.
Public-domain text, read in full here on John Shaqi.
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