Authors -- Fiction; England -- Fiction; Philosophy -- Fiction
Miss Touchandgo did not meet the shock of separation quite so
complacently as the young gentleman: for he lost only the lady, whereas
she lost a fortune as well as a lover. Some jewels, which had glittered
on her beautiful person as brilliantly as the bubble of her father’s
wealth had done in the eyes of his gudgeons, furnished her with a small
portion of paper-currency; and this, added to the contents of a fairy
purse of gold, which she found in her shoe on the eventful morning when
Mr. Touchandgo melted into thin air, enabled her to retreat into North
Wales, where she took up her lodging in a farm-house in Merionethshire,
and boarded very comfortably for a trifling payment, and the additional
consideration of teaching English, French, and music, to the little
Ap-Llymrys. In the course of this occupation she acquired sufficient
knowledge of Welsh to converse with the country people.
She climbed the mountains, and descended the dingles, with a foot which
daily habit made by degrees almost as steady as a native’s. She became
the nymph of the scene; and if she sometimes pined in thought for her
faithless Strephon, her melancholy was anything but green and yellow: it
was as genuine white and red as occupation, mountain air, thyme-fed
mutton, thick cream, and fat bacon could make it: to say nothing of an
occasional glass of double X, which Ap-Llymry, who yielded to no man west
of the Wrekin in brewage, never failed to press upon her at dinner and
supper. He was also earnest, and sometimes successful, in the
recommendation of his mead, and most pertinacious on winter nights in
enforcing a trial of the virtues of his elder wine. The young lady’s
personal appearance, consequently, formed a very advantageous contrast to
that of her quondam lover, whose physiognomy the intense anxieties of his
bubble-blowing days, notwithstanding their triumphant result, had left
blighted, sallowed, and crow’s-footed, to a degree not far below that of
the fallen spirit who, in the expressive language of German romance, is
described as “scathed by the ineradicable traces of the thunderbolts of
Heaven;” so that, contemplating their relative geological positions, the
poor deserted damsel was flourishing on slate, while her rich and false
young knight was pining on chalk.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account