Crowded Out o' Crofield; or, The Boy who made his Way — John Shaqi
Crowded Out o' Crofield; or, The Boy who made his WayStoddard, William O.
General
Crowded Out o' Crofield; or, The Boy who made his Way
Stoddard, William O.
Conduct of life -- Juvenile fiction
"You can make a nail, but you can't make a shoe," said his father, as
he sizzed the bit of bent iron in the water-tub and then threw it on
the ground. "Seven. That's all the shoes I'll make this morning, and
there are seven of you at home. Your mother can't spare Molly, but
you'll have to do something. It is Saturday, and you can go fishing,
after dinner, if you'd like to. There's nothin' to ketch 'round here,
either. Worst times there ever were in Crofield."
There was gloom as well as charcoal on the face of the blacksmith, but
Jack's expression was only respectfully serious as he walked away,
without speaking, and again stood in the door for a moment.
"I could catch something in the city. I know I could," he said, to
himself. "How on earth shall I get there?"
The bridge, at the lower end of the sloping side-street on which the
shop stood, was long and high. It was made to fit the road and was a
number of sizes too large for the stream of water rippling under it.
The side-street climbed about twenty rods the other way into what was
evidently the Main Street of Crofield. There was a tavern on one
corner, and across the street from that there was a drug store and in
it was the post-office. On the two opposite corners were shops, and
all along Main Street were all sorts of business establishments,
sandwiched in among the dwellings.
It was not yet noon, but Crofield had a sleepy look, as if all its work
for the whole week were done. Even the horses of the farmers' teams,
hitched in front of the stores, looked sleepy. Jack Ogden took his
longest look, this time, at a neat, white-painted frame-house across
the way.
"Seems to me there isn't nearly so much room in it as there used to
be," he said to himself. "It's just packed and crowded. I'm going!"
He turned and walked on up toward Main Street, as if that were the best
thing he could do till dinner time. Not many minutes later, a girl
plainly but neatly dressed came slowly along in front of the village
green, away up Main Street. She was tall and slender, and her hair and
eyes were as dark as those of John Ogden, the blacksmith. Her nose was
like his, too, except that it was finer and not so high, and she wore
very much the same anxious, discontented look upon her face. She was
walking slowly, because she saw, coming toward her, a portly lady, with
hair so flaxy that no gray would show in it. She was elegantly
dressed. She stopped and smiled and looked very condescending.
"Good-morning, Mary Ogden," she said.
"Good-morning, Miss Glidden," said Mary, the anxious look in her eyes
changing to a gleam that made them seem very wide awake.
"It's a fine morning, Mary Ogden, but so very warm. Is your mother
well?"
"Very well, thank you," said Mary.
Public-domain text, read in full here on John Shaqi.
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