Crowds: A Moving-Picture of DemocracyLee, Gerald Stanley
Philosophy
Crowds: A Moving-Picture of Democracy
Lee, Gerald Stanley
Crowds; Social problems
The first Pierpont Morgan has made himself, in a necessary transitional
movement, a hero in the business world because of a certain moral energy
there is in him. He has insisted in expressing his own character in
business. He would not send money to capitalists fighting capitalists,
and in a general way he has compelled capitalists to cooeperate. The new
hero of the business world is going to compel capital not merely to
cooeperate with capital, but to cooeperate with labour and with the
public. And as Morgan compelled the railroads of the United States to
cooeperate with one another by getting money for those that showed the
most genius for cooeperation, and by not getting money for railroads that
showed less genius for it, so the next Pierpont Morgan will throw the
weight of his capital at critical times in favour of companies that show
the largest genius for building the mutual interests of capitalists,
employees, and the public inextricably into one body. He is going to
recognize as a banker that the most permanent, long-headed, practical,
and competent employers are those whose business genius is essentially
social genius, the genius for being human, for discovering the mutual
interests of men, and for making human machinery work.
There is a great position ahead for this hero when he comes. And I have
seen in my mind to-day thousands of men, young and old in every
business, in every country of the world, pressing forward to get the
place.
It is what the next Tom Mann is for--to find out for the Trades Unions
and for the public who the most competent workmen are in every line of
business, the workmen who are the least mechanical-minded, who have
shown the most brains in educating and being educated by their
employers, the most power in touching the imaginations of their
employers with their lives and with their work, and in cooeperating with
them.
Public-domain text, read in full here on John Shaqi.
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