Crowds: A Moving-Picture of Democracy — John Shaqi
Crowds: A Moving-Picture of DemocracyLee, Gerald Stanley
Philosophy
Crowds: A Moving-Picture of Democracy
Lee, Gerald Stanley
Crowds; Social problems
Little can be done with one book, but at this special juncture, this
psychological moment for copartnership and the spirit of copartnership,
when all the world is touched to the quick by great strikes--at a time
when one can sit still and almost hear the nations think--there are some
of us who hope that the case we are trying to make out for copartnership
between Capital and Labour will be of use to those who are trying to do
things, and who for the moment find themselves foiled at every point by
men who have given up believing in human nature. We wish to put
ourselves on record, and to say that we do believe in human nature, and
that we believe not only that the inspired employer is going to be
evolved by the Crowd, but that the Crowd is going to recognize him and
is going to take sides with him, and that the Crowd is going to justify
him, make him succeed, is going to make his success its own success. In
other words, we believe in heroes, crowds, and goodness; in men of
heroic gifts--who are fit and meet to interpret the wills and desires
of crowds--who are great men or Crowd-Men, crowds in spirit themselves.
I would like to try to express the type of modern man who, as it seems
to me, is about to prove himself the real ruler of our modern world, the
silent master of what the crowds shall think. It has seemed to me that
it is going to be a man of a marked type, and of a particular
temperament, to whom we will have to look in our new and crowded world
for the crowd-interpreter, or man who touches the imagination of crowds.
As our whole labour problem to-day turns on our being able to touch the
imagination of Crowds, it may not be uninteresting in the next chapter
to consider what a man who can do this will probably be like and the
spirit in which he will do it.
CHAPTER V
THE CROWD-MAN--AN INVENTION FOR MAKING CROWDS SEE
When Wilbur Wright flew around the Statue of Liberty in New York the
other day, his doing it was a big event; but a still bigger event, as it
seems to some of us, was the way he felt about New York when he did it.
All New York could not make him show off. Hundreds of thousands of
people on roofs could look up at the sky over New York, for him to go
by, all that they liked. He slipped down to Washington without saying
anything, on the 3:25 train, to attend to flying as part of the serious
business of the world.
Why fly around a little town like New York, or show your bright wings in
the light, or circle the Statue of Liberty for fun, when you are
reconstructing civilization, and binding a whole planet together, and
wrapping the heavens close down around the earth, and making railroads
everywhere out of the air? New York is always a little superficial and
funny about itself. All it needs to do, it seems to think, is to snap
its fingers at a man of genius anywhere on this broad world, whisper to
him pleasantly, and he will trot promptly up, of course, and do his
little turn for it.
Public-domain text, read in full here on John Shaqi.
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