Crowds: A Moving-Picture of DemocracyLee, Gerald Stanley
Philosophy
Crowds: A Moving-Picture of Democracy
Lee, Gerald Stanley
Crowds; Social problems
He finds at last that his thinking has settled down into a kind of
happy, easy-going, international, editorial "We." New York and London,
Chicago and Sheffield, go drifting together through his thoughts, and
even Paris, glimmering faintly over there, and a dim round world, and he
asks, as the people of a world stream by, "_Where are WE going?_"
Thus it is that London, looming, teeming, world-suggesting, gets its
grip upon a man, a fresh American, and stretches him, stretches him
before his own eyes, makes him cosmopolitan, does his thinking for him.
* * * * *
There was a great sea to still his soul and lay down upon his spirit
that big, quiet roundness of the earth.
Nothing is quite the same after that wide strip of sea--sleeping out
there alone night by night--the gentle round earth sloping away down
from under one on both sides, in the midst of space.... Then, suddenly,
almost before one knows, that quiet Space still lingering round one,
perhaps one finds oneself thrust up out of the ground in the night into
that big yellow roar of Trafalgar Square.
And here are the swift sudden crowds of people, one's own fellow-men
hurrying past. One looks into the faces of the people hurrying past:
"_Where are we going?_" One looks at the stars: "WHERE ARE WE GOING?"
* * * * *
That night, when I was thrust up out of the ground and stood dazed in
the Square, I was told in a minute that this London where I was was a
besieged and conquered city. Some men had risen up in a day and said to
London: "No one shall go in. No one shall go out."
I was in the great proud city at last, the capital of the world, her
big, new, self-assured inventions all about her, all around her, and
soldiers camping out with her locomotives!
With her long trains for endless belts of people going in and coming
out, with her air-brakes, electric lights, and motor-cars and aerial
mails, it seemed passing strange to be told that her great stations were
all choked up with a queer, funny, old, gone-by, clanky piece of
machinery, an invention for making people good, like soldiers!
And I stood in the middle of the roar of Trafalgar Square and asked, as
all England was asking that night: "Where are we going?"
And I looked in the faces of the people hurrying past.
And nobody knew.
And the next day I went through the silenter streets of the city, the
great crowded dailies where all the world troops through, and then the
more quiet weeklies, then the monthlies, more dignified and like private
parks; and the quarterlies, too, thoughtful, high-minded, a little
absent, now and then a footfall passing through.
And I found them all full of the same strange questioning: "Where are we
going?"
And nobody knew.
It was the same questioning I had just left in New York, going up all
about me, out of the skyscrapers.
New York did not know.
Now London did not know.
* * * * *
Public-domain text, read in full here on John Shaqi.
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