The preparations for the _Life_ led her through by-ways that the most scrupulous of the previous biographers had left unexplored. She accumulated her material with a blind animal patience unconscious of fortuitous risks. The years stretched before her like some vast blank page spread out to receive the record of her toil; and she had a mystic conviction that she would not die till her work was accomplished. The aunts, sustained by no such high purpose, withdrew in turn to their respective divisions of the Anson “plot,” and Paulina remained alone with her task. She was forty when the book was completed. She had travelled little in her life, and it had become more and more difficult to her to leave the House even for a day; but the dread of entrusting her document to a strange hand made her decide to carry it herself to the publisher. On the way to Boston she had a sudden vision of the loneliness to which this last parting condemned her. All her youth, all her dreams, all her renunciations lay in that neat bundle on her knee. It was not so much her grandfather’s life as her own that she had written; and the knowledge that it would come back to her in all the glorification of print was of no more help than, to a mother’s grief, the assurance that the lad she must part with will return with epaulets. She had naturally addressed herself to the firm which had published her grandfather’s works. Its founder, a personal friend of the philosopher’s, had survived the Olympian group of which he had been a subordinate member, long enough to bestow his octogenarian approval on Paulina’s pious undertaking. But he had died soon afterward; and Miss Anson found herself confronted by his grandson, a person with a brisk commercial view of his trade, who was said to have put “new blood” into the firm. This gentleman listened attentively, fingering her manuscript as though literature were a tactile substance; then, with a confidential twist of his revolving chair, he emitted the verdict: “We ought to have had this ten years sooner.” Miss Anson took the words as an allusion to the repressed avidity of her readers. “It has been a long time for the public to wait,” she solemnly assented. The publisher smiled. “They haven’t waited,” he said. She looked at him strangely. “Haven’t waited?” “No--they’ve gone off; taken another train. Literature’s like a big railway-station now, you know: there’s a train starting every minute. People are not going to hang round the waiting-room. If they can’t get to a place when they want to they go somewhere else.” The application of this parable cost Miss Anson several minutes of throbbing silence. At length she said: “Then I am to understand that the public is no longer interested in--in my grandfather?” She felt as though heaven must blast the lips that risked such a conjecture.