American fiction -- 19th century; Short stories, American
I stepped into a grated tribune above a chapel festooned with stucco.
Pictures of bituminous saints mouldered between the pilasters; the
artificial roses in the altar-vases were gray with dust and age, and under
the cobwebby rosettes of the vaulting a bird’s nest clung. Before the altar
stood a row of tattered arm-chairs, and I drew back at sight of a figure
kneeling near them.
“The Duchess,” the old man whispered. “By the Cavaliere Bernini.”
It was the image of a woman in furred robes and spreading fraise, her hand
lifted, her face addressed to the tabernacle. There was a strangeness in
the sight of that immovable presence locked in prayer before an abandoned
shrine. Her face was hidden, and I wondered whether it were grief or
gratitude that raised her hands and drew her eyes to the altar, where no
living prayer joined her marble invocation. I followed my guide down the
tribune steps, impatient to see what mystic version of such terrestrial
graces the ingenious artist had found--the Cavaliere was master of such
arts. The Duchess’s attitude was one of transport, as though heavenly airs
fluttered her laces and the love-locks escaping from her coif. I saw how
admirably the sculptor had caught the poise of her head, the tender slope
of the shoulder; then I crossed over and looked into her face--it was a
frozen horror. Never have hate, revolt and agony so possessed a human
countenance....
The old man crossed himself and shuffled his feet on the marble.
“The Duchess Violante,” he repeated.
“The same as in the picture?”
“Eh--the same.”
“But the face--what does it mean?”
He shrugged his shoulders and turned deaf eyes on me. Then he shot a glance
round the sepulchral place, clutched my sleeve and said, close to my ear:
“It was not always so.”
“What was not?”
“The face--so terrible.”
“The Duchess’s face?”
“The statue’s. It changed after--“
“After?”
“It was put here.”
“The statue’s face _changed_--?”
He mistook my bewilderment for incredulity and his confidential finger
dropped from my sleeve. “Eh, that’s the story. I tell what I’ve heard. What
do I know?” He resumed his senile shuffle across the marble. “This is a bad
place to stay in--no one comes here. It’s too cold. But the gentleman said,
_I must see everything_!”
I let the _lire_ sound. “So I must--and hear everything. This story,
now--from whom did you have it?”
His hand stole back. “One that saw it, by God!”
“That saw it?”
“My grandmother, then. I’m a very old man.”
“Your grandmother? Your grandmother was--?”
“The Duchess’s serving girl, with respect to you.”
“Your grandmother? Two hundred years ago?”
Public-domain text, read in full here on John Shaqi.
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