American fiction -- 19th century; Short stories, American
“The fact is I’m rather surfeited,” he said, smiling. “I suppose my
appetite isn’t equal to such a plethora. I think I’ll write some letters
and join you somewhere later.”
She detected the wish to be alone and responded to it with her usual
readiness.
“I shall sink to my proper level and buy a bonnet, then,” she said. “I
haven’t had time to take the edge off that appetite.”
They agreed to meet at the Hotel Cluny at mid-day, and she set out alone
with a vague sense of relief. Neither she nor Keniston had made any direct
reference to Mrs. Davant’s visit; but its effect was implicit in their
eagerness to avoid each other.
Claudia accomplished some shopping in the spirit of perfunctoriness that
robs even new bonnets of their bloom; and this business despatched, she
turned aimlessly into the wide inviting brightness of the streets. Never
had she felt more isolated amid that ordered beauty which gives a social
quality to the very stones and mortar of Paris. All about her were
evidences of an artistic sensibility pervading every form of life like the
nervous structure of the huge frame--a sensibility so delicate, alert and
universal that it seemed to leave no room for obtuseness or error. In such
a medium the faculty of plastic expression must develop as unconsciously
as any organ in its normal surroundings; to be “artistic” must cease to be
an attitude and become a natural function. To Claudia the significance of
the whole vast revelation was centred in the light it shed on one tiny
spot of consciousness--the value of her husband’s work. There are moments
when to the groping soul the world’s accumulated experiences are but
stepping-stones across a private difficulty.
She stood hesitating on a street corner. It was barely eleven, and she had
an hour to spare before going to the Hotel Cluny. She seemed to be letting
her inclination float as it would on the cross-currents of suggestion
emanating from the brilliant complex scene before her; but suddenly, in
obedience to an impulse that she became aware of only in acting on it, she
called a cab and drove to the gallery where her husband’s pictures were
exhibited.
Public-domain text, read in full here on John Shaqi.
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