American fiction -- 19th century; Short stories, American
_Mrs. Dale_. How perfect of you! So few men visit their women friends
in chronological order; or at least they generally do it the other way
round, beginning with the present day and working back--if there’s time--to
prehistoric woman.
_Ventnor_. But when prehistoric woman has become historic woman--?
_Mrs. Dale_. Oh, it’s the reflection of my glory that has guided you
here, then?
_Ventnor_. It’s a spirit in my feet that has led me, at the first
opportunity, to the most delightful spot I know.
_Mrs. Dale_. Oh, the first opportunity--!
_Ventnor_. I might have seen you very often before; but never just in
the right way.
_Mrs. Dale_. Is this the right way?
_Ventnor_. It depends on you to make it so.
_Mrs. Dale_. What a responsibility! What shall I do?
_Ventnor_. Talk to me--make me think you’re a little glad to see me;
give me some tea and a cigarette; and say you’re out to everyone else.
_Mrs. Dale_. Is that all? _(She hands him a cup of tea.)_ The
cigarettes are at your elbow--. And do you think I shouldn’t have been glad
to see you before?
_Ventnor_. No; I think I should have been too glad to see you.
_Mrs. Dale_. Dear me, what precautions! I hope you always wear
goloshes when it looks like rain and never by any chance expose yourself
to a draught. But I had an idea that poets courted the emotions--
_Ventnor_. Do novelists?
_Mrs. Dale_. If you ask _me_--on paper!
_Ventnor_. Just so; that’s safest. My best things about the sea have
been written on shore. _(He looks at her thoughtfully.)_ But it
wouldn’t have suited us in the old days, would it?
_Mrs. Dale (sighing)_. When we were real people!
_Ventnor_. Real people?
_Mrs. Dale_. Are _you_, now? I died years ago. What you see
before you is a figment of the reporter’s brain--a monster manufactured out
of newspaper paragraphs, with ink in its veins. A keen sense of copyright
is _my_ nearest approach to an emotion.
_Ventnor (sighing)_. Ah, well, yes--as you say, we’re public property.
_Mrs. Dale_. If one shared equally with the public! But the last shred
of my identity is gone.
_Ventnor_. Most people would be glad to part with theirs on such
terms. I have followed your work with immense interest. _Immolation_
is a masterpiece. I read it last summer when it first came out.
_Mrs. Dale (with a shade less warmth)_. _Immolation_ has been out
three years.
_Ventnor_. Oh, by Jove--no? Surely not--But one is so overwhelmed--one
loses count. (_Reproachfully_.) Why have you never sent me your books?
_Mrs. Dale_. For that very reason.
_Ventnor (deprecatingly)_. You know I didn’t mean it for you! And
_my_ first book--do you remember--was dedicated to you.
_Mrs. Dale_. _Silver Trumpets_--
_Ventnor (much interested)_. Have you a copy still, by any chance? The
first edition, I mean? Mine was stolen years ago. Do you think you could
put your hand on it?
_Mrs. Dale (taking a small shabby book from the table at her side)_.
It’s here.
Public-domain text, read in full here on John Shaqi.
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