American fiction -- 19th century; Short stories, American
_Ventnor_. When our emotions weren’t worth ten cents a word, and a
signature wasn’t an autograph. Ah, Helen, after all, there’s nothing like
the exhilaration of spending one’s capital!
_Mrs. Dale_. Of wasting it, you mean. _(She points to the
letters.)_ Do you suppose we could have written a word of these if we’d
known we were putting our dreams out at interest? _(She sits musing, with
her eyes on the fire, and he watches her in silence.)_ Paul, do you
remember the deserted garden we sometimes used to walk in?
_Ventnor_. The old garden with the high wall at the end of the village
street? The garden with the ruined box-borders and the broken-down arbor?
Why, I remember every weed in the paths and every patch of moss on the
walls!
_Mrs. Dale._ Well--I went back there the other day. The village is
immensely improved. There’s a new hotel with gas-fires, and a trolley in
the main street; and the garden has been turned into a public park, where
excursionists sit on cast-iron benches admiring the statue of an
Abolitionist.
_Ventnor_. An Abolitionist--how appropriate!
_Mrs. Dale_. And the man who sold the garden has made a fortune that
he doesn’t know how to spend--
_Ventnor (rising impulsively)_. Helen, _(he approaches and lays his
hand on her letters)_, let’s sacrifice our fortune and keep the
excursionists out!
_Mrs. Dale (with a responsive movement)_. Paul, do you really mean it?
_Ventnor (gayly)_. Mean it? Why, I feel like a landed proprietor
already! It’s more than a garden--it’s a park.
_Mrs. Dale_. It’s more than a park, it’s a world--as long as we keep
it to ourselves!
_Ventnor_. Ah, yes--even the pyramids look small when one sees a
Cook’s tourist on top of them! _(He takes the key from the table, unlocks
the cabinet and brings out his letters, which he lays beside hers.)_
Shall we burn the key to our garden?
_Mrs. Dale_. Ah, then it will indeed be boundless! _(Watching him
while he throws the letters into the fire.)_
_Ventnor (turning back to her with a half-sad smile)_. But not too big
for us to find each other in?
_Mrs. Dale_. Since we shall be the only people there! _(He takes
both her hands and they look at each other a moment in silence. Then he
goes out by the door to the right. As he reaches the door she takes a step
toward him, impulsively; then turning back she leans against the
chimney-piece, quietly watching the letters burn.)_
THE REMBRANDT
“You’re _so_ artistic,” my cousin Eleanor Copt began.
Public-domain text, read in full here on John Shaqi.
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