American fiction -- 19th century; Short stories, American
From this unavailing flight I was recalled by the sense that something
must be done. To place a fictitious value on the picture was at best a
provisional measure; while the brutal alternative of advising Mrs. Fontage
to sell it for a hundred dollars at least afforded an opening to the
charitably disposed purchaser. I intended, if other resources failed,
to put myself forward in that light; but delicacy of course forbade my
coupling my unflattering estimate of the Rembrandt with an immediate offer
to buy it. All I could do was to inflict the wound: the healing unguent
must be withheld for later application.
I turned to Mrs. Fontage, who sat motionless, her finely-lined cheeks
touched with an expectant color, her eyes averted from the picture which
was so evidently the one object they beheld.
“My dear madam--“ I began. Her vivid smile was like a light held up to
dazzle me. It shrouded every alternative in darkness and I had the flurried
sense of having lost my way among the intricacies of my contention. Of
a sudden I felt the hopelessness of finding a crack in her impenetrable
conviction. My words slipped from me like broken weapons. “The picture,”
I faltered, “would of course be worth more if it were signed. As it is,
I--I hardly think--on a conservative estimate--it can be valued at--at
more--than--a thousand dollars, say--“
My deflected argument ran on somewhat aimlessly till it found itself
plunging full tilt against the barrier of Mrs. Fontage’s silence. She sat
as impassive as though I had not spoken. Eleanor loosed a few fluttering
words of congratulation and encouragement, but their flight was suddenly
cut short. Mrs. Fontage had risen with a certain solemnity.
“I could never,” she said gently--her gentleness was adamantine--“under any
circumstances whatever, consider, for a moment even, the possibility of
parting with the picture at such a price.”
II
Within three weeks a tremulous note from Mrs. Fontage requested the favor
of another visit. If the writing was tremulous, however, the writer’s tone
was firm. She named her own day and hour, without the conventional
reference to her visitor’s convenience.
Public-domain text, read in full here on John Shaqi.
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