American fiction -- 19th century; Short stories, American
His blush deepened. “Why, yes. It sounds rather absurd, I suppose. It isn’t
much in my line, of course. I can see the picture’s very beautiful, but I’m
no judge--it isn’t the kind of thing, naturally, that I could afford to go
in for; but in this case I’m very glad to do what I can; the circumstances
are so distressing; and knowing what you think of the picture I feel it’s a
pretty safe investment--“
“I don’t think!” I blurted out.
“You--?”
“I don’t think the picture’s worth a thousand dollars; I don’t think it’s
worth ten cents; I simply lied about it, that’s all.”
Mr. Rose looked as frightened as though I had charged him with the offense.
“Hang it, man, can’t you see how it happened? I saw the poor woman’s pride
and happiness hung on her faith in that picture. I tried to make her
understand that it was worthless--but she wouldn’t; I tried to tell her
so--but I couldn’t. I behaved like a maudlin ass, but you shan’t pay for my
infernal bungling--you mustn’t buy the picture!”
Mr. Rose sat silent, tapping one glossy boot-tip with another. Suddenly he
turned on me a glance of stored intelligence. “But you know,” he said
good-humoredly, “I rather think I must.”
“You haven’t--already?”
“Oh, no; the offer’s not made.”
“Well, then--“
His look gathered a brighter significance.
“But if the picture’s worth nothing, nobody will buy it--“
I groaned.
“Except,” he continued, “some fellow like me, who doesn’t know anything.
_I_ think it’s lovely, you know; I mean to hang it in my mother’s
sitting-room.” He rose and clasped my hand in his adhesive pressure. “I’m
awfully obliged to you for telling me this; but perhaps you won’t mind my
asking you not to mention our talk to Miss Copt? It might bother her, you
know, to think the picture isn’t exactly up to the mark; and it won’t make
a rap of difference to me.”
IV
Mr. Rose left me to a sleepless night. The next morning my resolve was
formed, and it carried me straight to Mrs. Fontage’s. She answered my knock
by stepping out on the landing, and as she shut the door behind her I
caught a glimpse of her devastated interior. She mentioned, with a careful
avoidance of the note of pathos on which our last conversation had closed,
that she was preparing to leave that afternoon; and the trunks obstructing
the threshold showed that her preparations were nearly complete. They were,
I felt certain, the same trunks that, strapped behind a rattling vettura,
had accompanied the bride and groom on that memorable voyage of discovery
of which the booty had till recently adorned her walls; and there was a
dim consolation in the thought that those early “finds” in coral and Swiss
wood-carving, in lava and alabaster, still lay behind the worn locks, in
the security of worthlessness.
Public-domain text, read in full here on John Shaqi.
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